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July
And to be honest, there's a lot about Hemingway to criticize, especially in his later years. He fawned over bullfighters, bragged about shooting gaggles of game in Africa, drank more than any dozen Wazoo freshmen, bullied F. Scott Fitzgerald and others shamelessly and wrote books - 1950's "Across the River and Into the Trees," for example - that were pale reflections of his best work. Even the more complex works that have come to light since his 1961 suicide, "Islands in the Stream" or "The Garden of Eden," have done little more than make some Hemingway critics accuse the writer of literary/thematic/emotional clumsiness. But what most of Hemingway's critics seem to forget - or conveniently ignore - is that when he emerged, Hemingway hit the literary scene as hard as anyone ever has. His mastery was that, at his best, his prose cut to the heart of whatever emotions he was trying to convey. And the influence he had on American letters was both profound and enduring. Which is why we've chosen Hemingway's first full collection of short stories, "In Our Time," as the July read for The Spokesman-Review Book Club.
Dan Webster writes about the author
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