Arrow-right Camera
The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Hbo Flashes Back To ‘60 Sports

Milton Kent The Baltimore Sun

Lost in all the tumult and turmoil that affected the American body politic in the 1960s was the upheaval that turned the sports culture on its ear, as virtually everything that touched the society at large, from protests to drug use and everything in between, invaded the athletic realm.

The volatility of the era is painstakingly captured in yet another wonderful HBO documentary, “Fields of Fire: Sports in the ‘60s,” which premieres Tuesday night, with repeats Thursday and Saturday.

Narrated by Richie Havens, a musical legend of the era, “Fields of Fire” closely examines the impact of the Vietnam War on sports, the struggles of women to find their place in athletics, the explosion of television, and baseball’s reserve clause, as well as a tribute to Joe Namath.

The hourlong program devotes the bulk of its time to an exploration of the growing influence of African-American athletes, keying on Muhammad Ali.

The show ends with a look at the protests of sprinters Tommie Smith and John Carlos, who bowed their heads and raised black gloved fists on the Olympic medal stand in Mexico City in 1968. Their act drew the scorn of much of the nation, including then-columnist Brent Musburger, who said the men “looked like black-skinned storm troopers,” proving that Musburger didn’t just get stupid recently.

“Fields of Fire” is true must-see viewing for sports fans of any age.

Olbermann outside the line

The criticism of Cleveland Browns owner Art Modell has, if anything, gotten worse over the past week. Musburger, for instance, referred to the team as the “Benedict Arnolds” while reading a promo for Monday night’s game over the weekend, and Terry Bradshaw wore an orange armband during “Fox NFL Sunday.”

Perhaps the most stinging rebuke has come from ESPN’s Keith Olbermann in his Prodigy column, in which he tears after Modell, whom he said “merely stopped pretending he wouldn’t do whatever was necessary to separate us from (money).”

Olbermann also was sharply critical of the city of Baltimore, saying while the move of the Colts in 984 was “the equivalent of psychological rape,” the happiness of Baltimoreans over the Browns’ relocation was “the equivalent of a rape victim raping someone else.”

“Congratulations,” Olbermann wrote. “You got a team back. Not your team, mind you, but what the hell! Franchises are mercenaries. Fans can be mercenaries, too. And by having put your desire to pay through the nose for football ahead of the ethics you so wanted Bob Irsay to abide by in 1984, you have earned the privilege of being ripped off again.”

Olbermann’s general theme, indeed, bears some consideration, but his rape analogy is tasteless and offensive, particularly to women. The movement of a sports franchise, though significant, is incredibly trivial compared to that vile act. Olbermann should apologize as soon as possible.