April 17, 2007 in Nation/World

Longtime notables earn Pulitzers in arts

Hillel Italie Associated Press

Winners in journalism

Public Service – The Wall Street Journal, for coverage of a 2006 stock-options scandal that rattled corporate America.

Breaking News Reporting – The (Portland) Oregonian for print and online coverage of a California family missing in a blizzard in the Oregon mountains.

Investigative Reporting – Brett Blackledge, the Birmingham News, for his exposure of cronyism and corruption in Alabama’s two-year college system.

“Local Reporting – Debbie Cenziper, the Miami Herald, for reports on waste, favoritism and lack of oversight at the Miami housing agency.

“National Reporting – Charlie Savage, the Boston Globe, for revelations that President Bush used “signing statements” to assert his controversial right to bypass provisions of new laws.

“International Reporting – The Wall Street Journal staff, for reports on the adverse impact of China’s booming capitalism on conditions ranging from inequality to pollution.

“Breaking News Photography – Oded Balilty, the Associated Press, for his photograph of a lone Jewish woman defying Israeli security forces in the West Bank.

“Feature Photography – Renee C. Byer, the Sacramento Bee, for her portrait of a single mother and her dying child.

NEW YORK – Two masters of the arts world finally won Pulitzers on Monday, with 73-year-old novelist Cormac McCarthy receiving the fiction prize for “The Road” and 77-year-old saxophonist Ornette Coleman honored in music for “Sound Grammar,” a live recording.

It was the first Pulitzer for McCarthy, widely praised as an heir to William Faulkner for such novels as “All the Pretty Horses” and “Blood Meridian.” Coleman, inventor of free jazz and often compared in importance to Louis Armstrong and Charlie Parker, became only the second jazz artist to win a competitive Pulitzer. Wynton Marsalis won in 1997 for “Blood on the Fields,” a three-hour oratorio on slavery.

Coleman said his cousin notified him that he had won the honor. “I didn’t believe him,” Coleman told the Associated Press. “I’m grateful to know that America is really a fantastic country.”

Lawrence Wright’s “The Looming Tower,” a best-selling investigation of the Sept. 11, 2001, attacks, won for general nonfiction. Wright, a staff writer for the New Yorker, is author of “Twins” and “In the New World.” He also co-wrote the political movie thriller “The Siege.”

The history prize went to Gene Roberts’ and Hank Klibanoff’s “The Race Beat: The Press, the Civil Rights Struggle, and the Awakening of a Nation.”

Klibanoff, managing editor for news at the Atlanta Journal-Constitution, said that the book written with Roberts, former executive editor at the Philadelphia Inquirer and managing editor at the New York Times and now a journalism professor at the University of Maryland, mixed storytelling and research.

“I grew up in the South and I grew up in the midst of the news coverage of the civil rights struggle,” Klibanoff said. “But really what got me into it was when my co-author Gene Roberts brought me into it. … He had worked for about three years or so on it, and … together we worked another 12 years on it.”

Roberts’ staff at the Inquirer won 17 Pulitzer Prizes while he was executive editor.

The poetry award was given to Natasha Trethewey’s “Native Guard,” a collection about black Civil War soldiers who helped protect a fort on the Mississippi coast.

The Pulitzer for biography went to Debby Applegate’s book on 19th-century minister and abolitionist Henry Ward Beecher, “The Most Famous Man in America.” Applegate, 39, said she worked 20 years on the book and had originally planned it as a student paper when she was an undergraduate at Amherst College.

David Lindsay-Abaire won the drama prize for “Rabbit Hole,” about a wealthy, suburban couple trying to come to terms with the death of their young son, Danny, accidentally killed when he runs into the street and is struck by a car. The jury submitted three finalists in the drama category to the Pulitzer board, but none received a majority vote. So another notable drama, “Rabbit Hole,” was chosen.

McCarthy, author of nine previous novels, has won the National Book Award and the National Book Critics Circle Award. But “The Road” is the author’s greatest and most unlikely success. Not all of his work has caught on with the public, or with critics, but “The Road,” an often horrifying story of a father and son on a post-apocalypse landscape, placed high on numerous critics’ lists for 2006 and last month received publishing’s most lucrative honor: Oprah Winfrey picked it for her book club and even persuaded the press-shy author to agree to a television interview. More than 1 million copies of “The Road” already are in print.

Two honorary prizes were announced Monday, including one for jazz. The late John Coltrane was praised “for his masterful improvisation, supreme musicianship and iconic centrality to the history of jazz.” Science fiction, another art form long ignored by the Pulitzers, was recognized as “Fahrenheit 451” author Ray Bradbury, 87, was cited for “his distinguished, prolific and deeply influential career.”

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