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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Film all about Moore’s agenda

John C. Goodman The Spokesman-Review

DALLAS – While Michael Moore’s documentary “Sicko” predictably opened to media raves in late June, it shouldn’t be used as a launching pad for reforming America’s health care system.

Generally lauded as “thought-provoking” and “affecting” by critics, Moore’s new polemic was applauded by many for “asking the right questions.” But “right questions” is a subjective phrase, defined far differently by those familiar with the issues Moore is attacking than by those who make their living as movie reviewers.

The film is actually full of errors and omissions, but that is almost beside the point. Since the stated purpose of “Sicko” is to compare the worst features of American health care with the best features of health care in Britain, Canada, France and even Cuba, who can complain about a few errors here and there?

“Sicko” isn’t a movie about health care and how to fix it. It is a one-sided attempt to drive a very specific agenda – single-payer, government-run health care.

Moore recently told ABC’s “Good Morning America” that in Britain and Canada people “have a basic core belief that if you get sick, you have a human right to see a doctor and not have to worry about paying for it.” By contrast, according to Moore, “people are dying in this country as a result of the decisions that get made by (private) health insurance companies.”

If you’ve never tried to see a doctor in Britain or Canada, you might even believe that. People who actually live there, however, know they have no right to any particular health care service. A Canadian, for example, has no “right” to an MRI scan or heart surgery. There is not even a right to a place in line. Far from enjoying a “right to health care,” people in other countries often have long waits for needed care.

For example:

•In Britain, about 1 million patients are waiting to be admitted to hospitals at any one time.

•In Canada, more than 876,000 are waiting for treatment of all types.

•In tiny New Zealand, the number of people on waiting lists for surgery and other treatments is more than 90,000.

Patients who wait often are waiting in pain. Many are risking their lives. People have to wait for care because of a conscious decision by the government to limit health care resources.

When Moore boldly asserts that Britons “wouldn’t trade their NHS cards for his Blue Cross card,” he could not be more wrong. In fact, people in other countries often have to pay out-of-pocket for care that has been denied them by the government.

Why, then, is national health insurance in other countries as popular as Moore says it is? One reason is that people do not realize how much they pay for it in taxes. Even mediocre care looks good if you think it is free.

A second reason is that doctors in other countries often don’t tell their patients their care is being rationed. Instead, they say, “There’s nothing more we can do.”

A third reason is that most people are healthy. Relative to U.S. levels of provision, countries with national health insurance routinely underprovide to the seriously ill and overprovide to patients with minor ailments. Thus, the scene where patients in Canadian waiting rooms are asked how long they had to wait, and they all reply with times under an hour.

Moore didn’t bother to revisit these patients and ask how long they would have to wait to see a specialist. Seventeen and a half weeks – par for the course north of the border – definitely adds to the average wait time.

In a typical U.S. private health care plan, 4 percent of the enrollees spend more than half the money. In a government-run, universal health care system, politicians cannot afford to spend half of the budget on 4 percent of the voters, many of whom are probably too sick to vote anyway. The temptation is always to take from the few who are sick and spend instead on the many.

So what are we to make of Moore and his “documentary”? Economists, like other scientists, study reality in order to adapt to it. Artists, by contrast, selectively focus on some facts and ignore others in order to re-create reality. For some, this subjective re-creation doesn’t cease just because the camera has stopped rolling.