Ruling over Google library holds big publishing implications
Access to books and determining who makes the money are key issues in dispute
PHILADELPHIA – Google has been busy.
The Internet giant has been copying and storing millions of the world’s out-of-print and out-of-copyright books in a vast online archive. It could all be just a mouse click away from your computer screen if the effort, known as the Google Books Library Project, survives a legal challenge.
At stake is access to millions of texts, billions of pages, trillions of words that constitute nothing less than human memory and identity.
At stake, too, is who gets paid – a decision that could affect the future of the publishing industry.
Suppose you want to read, say, Jane Austen’s “Pride and Prejudice” in the original edition. Or the first printing of “The Adventures of Huckleberry Finn.” Or you don’t have a Shakespeare “First Folio” lying around but want to browse it. How about a look at some printed shipping or immigration registers?
Someday you’ll be able to access all of them. A world online library.
Just dying to grab the 1840 edition of Jacob Bigelow’s “Florula bostoniensis” (a catalog of flowers in the Boston area)? Already on Google Books, and, quick, you can access it right now!
But in the digital future, you often will pay for access, meaning you often will pay Google, which is way ahead in the race to upload and store all, or nearly all, of the world’s precious old texts.
But will Google continue building its digital library?
That may depend on a class-action lawsuit that the Authors Guild and several published authors, including Swarthmore poet Daniel Hoffman, filed against Google in 2005 in U.S. District Court in New York. The suit accuses Google of “massive copyright infringement.”
Authors and publishers objected to Google’s offering books online without consulting copyright holders, as well as publishing title pages, snippets, and previews for public access.
Hoffman declined to comment for this report, but in a 2005 commentary for the Philadelphia Inquirer he wrote that if Google becomes “the repository of the accumulated knowledge and literature of all civilization, won’t the firm attract many more advertisers? We authors, whose work can be read and, in many cases, reproduced by the touch of a key, won’t see five cents of this income. And to the extent that that income is based on illegal appropriation of our writings, neither should Google.”
Even some Google partners, such as Harvard University, threatened to split unless the copyright issues were addressed.
Acknowledging the problems, in 2008 Google reached a $125 million settlement with the Authors Guild and the Association of American Publishers. The main aim of the much-debated deal is to compensate authors and publishers when Google scans in books to which they hold copyrights.
U.S. District Judge Denny Chin will decide the fairness of the settlement. Included in the agreement are Google payouts of $125 million to publishers, authors and lawyers; the creation of a registry for copyright holders; and a controversial provision that would put the onus on copyright holders to opt out of the settlement.
Chin was to rule Feb. 18, but, citing the complexity of the deal, he put off a decision, not saying when he’d be ready.
When he is, it’ll be big.
Some hail Google Books as a step toward a global future of shared knowledge. In the court case, Sony Electronics filed a friendly brief arguing that the settlement would “dramatically enlarge and diversify the universe of available e-books” and “increase demand for e-book readers, intensify competition among e-reader manufacturers, and spur innovation.”
Jacob Epstein, publisher and founder of Books on Demand, wrote by e-mail that “Google has the head start and the means to create a universal, multilingual digital directory from which public-domain files can be downloaded by readers in a radically decentralized digital marketplace.”
But questions have dogged this project like a bad conscience. Some objections are technical: Digital storage is great, but it’s fragile. As Epstein wrote in the New York Review of Books this month, all the world’s old books may soon be available at the click of a mouse, but “another click might obliterate these same contents and bring civilization to an end.”
Sorest of all is the issue of copyrights. A project this big is bound to infringe somebody’s. Google says it tries to err on the side of caution. But many want firmer guarantees than that.
Many publishers and authors worry that Google will trample their copyrights, have too much power to determine prices and become a monopoly, a competition-killer. If Google had a text of Austen, could it block me from selling my own text of her? Or lowball prices so I couldn’t profit from it? Could it block people from reading a text if it wanted to? Aren’t we, objectors ask, making Google the gatekeeper of our past?
The suit against Google was on its way to being settled when the Justice Department called a halt in September, citing antitrust violations. Google revised the agreement again, and the case went before Chin.
Ken Auletta, author of “Googled: The End of the World as We Know It,” e-mailed that “there is legitimate cause for concern when only one company in the world digitizes all 20 or so million books ever published. It provokes legitimate public anxiety, just as Comcast’s control over broadband and cable wires do.”
James Grimmelmann, an associate professor at the New York Law School, said the crux of Chin’s pending decision was “whether giving all these rights to Google precludes competition.”
Central, he said, is the “opt-out” provision in the Google Books settlement. Its simplified form is: If Google wants to print a text to which you hold the copyright, it can unless you tell it no first.
“This reverses the default of prior law,” Grimmelmann said. Usually, the publisher must seek out copyright holders and secure permission before publishing. “Some people are afraid that under such an agreement, no copyright is safe.”