March 29, 2012 in Washington Voices

The Verve: Freeman Wamsley opens her own public practice

Jennifer Larue
 
Dan Pelle photoBuy this photo

Bridget Freeman Wamsley is a nontraditional artist and student at Eastern Washington University. Her culminating project for her BFA in Studio Art will be a retirement party for her ovaries.
(Full-size photo)

Art quote

of the week

“Within the art making process, the practice emphasizes people in relationships to each other and their surroundings, focusing on engagement and accountability between the audience and the artist.”

From the Social Practices Art Network (SPAN), founded by Jules Rochielle

On the Web

bridgetfreemanwamsley.com

• Click on “news” for event information.

Sometimes a work of art just makes a viewer ask, “Huh?” Nontraditional artist Bridget Freeman Wamsley is OK with that.

“The purpose is to take an issue, an idea or a thought and tilt it a bit, giving it a new perspective,” she said. “It starts a discourse or simply makes people walk away with a new thought in their head.”

Although skilled in drawing, Wamsley chooses to focus more on a relatively new type or movement of art called social practice.

To simplify it, a flash mob could be considered social practice.

“Flash mobs use contemporary means of communication to call participants. In social practice, the ‘social’ is the medium for the piece. So, having hundreds of people break into dance simultaneously for a common goal would be a work of art,” Wamsley explained. “That being said, flash mobs are almost in a kitschy realm because they’re too well known now. Another innovative artist out there is currently ruminating on the next big idea.”

Wamsley has big ideas. Using her theatrical skills from years of participating in community theater, Wamsley takes common subjects and finds ways to convey the subject’s importance visually, attempting to be a catalyst for communal understanding or conversation.

In a piece titled “What’s Your Birthday,” she wore a sandwich board that asked for the birth dates of passers-by. Standing in high-traffic areas for a few hours a day for 30 days, she documented strangers writing the dates on the board she wore. Afterward, she displayed the boards as well as the photographs she took of smiling strangers whose birth dates she knew.

Another piece shows 420 deteriorating M&Ms laid out in circular patterns that lead into two vintage clutch purses. Wamsley describes it as a grand map of her reproductive life; the purses represent her ovaries and the M&Ms are cycles.

Wamsley, 47, has always been creative. In a sense, she has been working toward her college degree for more than 30 years, involving herself in creative endeavors from restoring carousel horses and drawing portraits to volunteering for the Spokane Symphony Orchestra and Spokane Civic Theatre.

Now, Wamsley is making it official: In June, she will graduate from Eastern Washington University with bachelor’s degrees in studio art and art history. Her culminating project for the studio art degree will be a retirement party for her ovaries – now that she is beyond her childbearing years – on May 17 at The Fox theater. Anyone may attend, and representatives from the American Cancer Society will be there.

While social practice might be a form of art that some people have a hard time wrapping their minds around, it does get them thinking.

“Creating a scenario in which I feel a little bit of risk while putting myself out there as the artist, then getting some participation from someone in the public and having an affecting experience, in the end, is pretty awesome.”

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