December 27, 2013 in Features, Seven

Jonah Hill taps character’s lack of likeability

Roger Moore McClatchy-Tribune
 

ORLANDO, Fla. – Actors, as a rule, like to say that they “never judge” a character they’re playing, no matter how loathsome. Even villains, the logic goes, don’t look in the bathroom mirror in the morning, waxing the moustache they’re about to twirl before throwing the heroine down a well.

But Jonah Hill? He’s judging his guy, Donnie Azoff, a real-life Wall Street bottom-feeder and scene stealer in “The Wolf of Wall Street.”

“I couldn’t find a way around it,” Hill said. “I mean, I kept looking for things to like about the guy, things we had in common. And I just couldn’t.”

Donnie has an overeager charm when we first meet him in “Wolf.” He sees stock trader Jordan Belfort’s fancy, vintage Jaguar E-Type, rudely presses him to find out what he earns and promptly quits his own sales job to become a disciple of “The Wolf of Wall Street,” played by Leonardo DiCaprio. Donnie’s got an overly brilliant smile and a back story, which is the first sign this dude isn’t right. Yeah, he married his “hot cousin.” What, somebody else should have her?

“Everybody has a little of Donnie in them,” Hill laughed. “You know, that desire to do whatever you want, to be filthy, ridiculously rich. But if you’re a good person, there’s just a TINY bit of Donnie in you. This guy has no impulse control.”

Hill, 30, has been a reliably rude funnyman since 2007’s “Superbad,” playing characters that often come off as variations on an “impulse control” theme. In film after film, he’s an eating, drinking, cursing, lusting, self-absorbed drug-coveting Bacchus. Last summer, he passed a version of that hedonist off as himself in the blasphemous blockbuster “This is the End.” But the real Jonah thinks of himself as more of a moralist than that.

“Donnie is 100 percent that thing that we don’t like to show within ourselves,” Hill said. “He has no moral compass. No morality. He treats people horribly. He’s the most selfish person in the world. I mean, who wouldn’t like to be him? Or hate him? He wasn’t someone I would want in my life.”

But for a few months, he was. Working for his hero, Martin Scorsese – “ ‘Goodfellas’ is the reason I wanted to make movies” – Hill had to get up every morning and literally put on his “game face.”

“His teeth were whiter than white. That’s from Belfort’s book. I wore a prosthetic set of teeth, and that was tough because I’m supposed to be doing a different accent, a different voice. When I first put in the teeth, they gave me this horrible lisp. I had to practice and practice to get rid of it. Tim Monich, our dialect coach, let me practice talking with him hours every day.”

Donnie, Hill decided, was a working-class lug “trying to pass himself off as Waspy, upper-class, upper-crust. That’s the key to who he is.”

Hill is earning Oscar buzz for his performance. He is “not (just) comic relief here but a credible, if weird, figure,” the Hollywood Reporter noted, praising the fact that Hill “keeps offering surprises” right to the movie’s end. Donnie matches Jordan excess for excess – lying, cheating, snorting and spending all his ill-gotten gains, reveling in the amorality of it all.

Hill’s gift for spontaneity on the set – improvising – is much in evidence. And that fits the character.

“Everything Peter Brandon says in ‘Moneyball’ is supposed to be incredibly deliberate. Thought over. Thoughtful,” Hill said, remembering his first outing in a serious movie, where improvising funny lines wouldn’t work. “Donnie, having no impulse control, was perfect for improvisation. Every decision, everything he blurts out, was just that second. That’s what he’s thinking. That’s what he’s saying.”

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