Natalie Maines’ first solo album continues her movement into a deeply considered, provocative form of polished adult rock heard on her last recording, the Dixie Chicks’ 2006 award-winning “Take the Long Way Home.”
Maines sets aside the cheeky playfulness that marked her success in country music, carefully curating an album of covers and originals by other writers – with one strong original, “Take It On Faith.” Much like Maines’ public persona since her fallout with the conservative right after speaking out against the Iraq War, the songs waver between gutsy stands and seeking shelter with those who care for and understand her.
Musically, producer Ben Harper gives her a lush background on intimate songs and a bluesy raucousness on up-tempo tunes. Maines shows how she can wail on rockers like Patty Griffin’s “Silver Bell,” but it’s on Jeff Buckley’s dramatic “Lover, You Should’ve Come Over” that shows how effective she can be with emotional vulnerability and the power of the full range of her vocals.
“Mother” finds Maines still affected by the Dixie Chicks’ fall from the top. But it also proves that, as an artist, she’s still an American treasure.