Writers’ last days in ‘Wild Nights!’

“Wild Nights!”

By Joyce Carol Oates (Ecco, 256 pages, $24.95)

The classic authors who appear as fictionalized characters in “Wild Nights!” aren’t the ones most of us met in Intro to American Literature.

Edgar Allan Poe copulating with a one-eyed amphibian? Mark Twain pursuing pubescent girls? Henry James clubbing a cat to death?

Joyce Carol Oates may cause a few elderly professors to keel over, but the rest of us can take perverse delight in her five surreal tales.

In each, Oates imagines the final days of a famous author, drawing from biographical fact but freely embroidering with Gothic excess.

In “Poe Posthumous; or, The Light-House,” she places the author of “The Fall of the House of Usher” on a South Pacific island and documents his descent into utter madness (and interspecies sex).

The curious “EDickinsonRepliLuxe” has a modern-day couple purchasing a 4-foot robot modeled after poet Emily Dickinson; her silent hovering and enigmatic pronouncements cause the marriage to unravel.

Twain, in “Grandpa Clemens & Angelfish 1906,” corresponds with a 15-year-old whose life he destroys through casual neglect, while James, tending to World War I wounded, wades through blood and human waste in “The Master at St. Bartholomew’s Hospital 1914-1916.”

The final entry, “Papa at Ketchum 1961,” is the least outrageous but most disturbing. Here Oates unleashes the inner turmoil of Ernest Hemingway as he props a shotgun against his chin and prepares for suicide.

Oates’ Papa is paranoid, misogynistic, boastful and pathetic – an indelible portrait of genius gone sour.