“Step Up 3D” is, in one significant respect, a step up.
That is, in contrast to the recent spate of post-production 3-D conversions (“The Last Airbender,” “Clash of the Titans”), this one actually looks good.
Conceived and shot as a 3-D dance spectacle, with specialized cameras and technology, the film has dancers spinning and bobbing, popping and locking, jumping off of the screen.
There’s a Busby Berkeley-inspired number where the point-of-view goes overhead, capturing a crew of street dancers spinning crazily below, and cool stereoscopic effects, like the spray from an Icee straw sending a stream of giant, artificially-colored bubbles out into the audience.
That’s the good news.
The bad news: This second sequel in the hit hip-hop series boasts more cliches than you can shake one of those Icee straws at (follow your dream, believe in yourself, it’s the journey not the destination, how could you do that to us?).
And while director Jon M. Chu’s acrobatic cast proves adept at moonwalks and break-dances – and even tangos and tap – not a one displays anything even closely approximating charisma.
Moving from Baltimore, site of the first two “Step Up” films, to New York, and foisting the first sequel’s nebbish-y teenage sidekick, Moose (Adam G. Sevani) into a lead role, “Step Up 3D” is essentially a series of big, busy production numbers beaded together with cheesy melodrama and scenarios out of “Rent.”
It’s also one long commercial for NYU, the school where Moose and his childhood pal Camille (Alyson Stoner) are now wide-eyed enrollees.
Luke (Rick Malambri) is a sensitive filmmaker and dancer who hosts a “pseudo family” of misfit hoofers in his sprawling Brooklyn loft – a loft that evil bankers are planning to foreclose on.
Luke’s gang, dubbed the Pirates, is gearing up for the World Jam, an epic dance-off with a cash prize that could help with those pesky mortgage payments. The Pirates’ arch-enemies: the Samurai, a rival gang of dancers led by the sneering Julien (Joe Slaughter).
To tracks by T-Pain and Jay-Z, MIMS and Major Lazer, the Roots and Rye Rye (and some Bach and Benatar thrown in for good measure), the various dancers dance, and the various conflicts play out.
Aimed at teens and tweens, the almost-squeaky-clean “Step Up 3D” shamelessly piles on the corn, stacking it so high that it’s bound to tilt over and collapse.
But at least it goes tumbling down in three dimensions. And the dancers go tumbling along with it – tumbling right at ya.
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