Here’s, At Least, A Starting Point On Year’s Best Writing, Reading

Larry Kart Chicago Tribune

Books ‘95

No list of the year’s best books could be long enough to satisfy all the authors, critics and readers who have some reason to hope that a particular work will be there. But if more good books appeared in 1995 than we have room to mention, this list is a good place to start.

Fiction

“All the Days and Nights,” by William Maxwell (Knopf, $25). Winner of this year’s Heartland Prize for fiction, this book collects the stories of an American master.

“Novels, Stories and Other Writings,” by Zora Neale Hurston (Library of America, 2 vols. $35 each). A major African-American writer gets her due at last.

“The Polish Officer,” by Alan Furst (Random House, $23). A modern Eric Ambler with a flavor all his own, Furst writes of spying before and during World War II.

“Arabian Nights and Days,” by Naguib Mahfouz (Doubleday, $22.95). The Egyptian novelist plays variations on a classic tale.

“Moo,” by Jane Smiley (Knopf, $24). In Smiley’s inventive satire, many things go haywire at a vast Midwestern university.

“Ladder of Years,” by Anne Tyler (Knopf, $24). A woman flees her family to build a new life in a small town.

“The Man Without Qualities,” by Robert Musil (Knopf, 2 vols. $65). Musil’s masterly epic of pre-World War I Vienna is given a new and more complete translation.

“The Matisse Stories,” by A.S. Byatt (Random House, $17). The painter’s works inspire three fanciful tales.

“The Information,” by Martin Amis (Harmony, $24). A failed writer is bedeviled by a bad but successful one in this fierce, lyrical farce.

“Poison,” by Kathryn Harrison (Random House, $23). This tragic tale of two women in 17th century Spain is a remarkable act of imaginative re-creation.

“Interstate,” by Stephen Dixon (Holt, $25). Dixon gives us eight ways of looking at a deadly incident.

“Portrait of the Artist as a Young Ape,” by Michel Butor (Dalkey Archive, $19.95). Translated at last, this is a pathbreaking 1967 work by a pioneer of the French “new novel.”

“The Richer, The Poorer,” by Dorothy West (Doubleday, $22). West’s stories probe the anomalies of growing up African-American.

“Night Departure and No Place,” by Emmanuel Bove (Four Walls Eight Windows, $25, $14 paper). A Frenchman escapes from a World War II prison camp but not from himself.

“Sabbath’s Theater,” by Philip Roth (Houghton Mifflin, $24.95). Roth’s enraged, lustful hero rails against the constraints of the human condition.

“RL’s Dream,” by Walter Mosley (Norton, $22). Mosley spins a tale about bluesman Robert Johnson.

“The First Man,” by Albert Camus (Knopf, $23). Camus’ unfinished, powerful first novel finally appears.

“Mrs. Ted Bliss,” by Stanley Elkin (Hyperion, $22.95). Elkin wryly celebrates a widow in a Florida condo.

“The Chess Garden,” by Brooks Hansen (Farrar Straus Giroux, $22). Game pieces come to life in a fable of good and evil.

“The Master and Margarita,” by Mikhail Bulgakov (Ardis, $35). This is a new, complete translation of a Russian modernist masterwork.

“All Souls’ Rising,” by Madison Smartt Bell (Pantheon, $25). Bell imagines his way into Haiti’s 18th century slave revolt.

“The Unconsoled,” by Kenzo Ishiguro (Knopf, $25). A concert pianist finds himself adrift in a dreamlike city.

“The Hundred Secret Senses,” by Amy Tan (Putnam, $24.95). Two Chinese half-sisters find they have lived prior lives.

“The Island of the Day Before,” by Umberto Eco (Harcourt Brace, $25). A 17th century castaway confronts the dawn of modern consciousness.

Nonfiction

“A Biographical Dictionary of Film,” by David Thomson (Knopf, $40, $25 paper). This is an often controversial but always stimulating guide.

“Chuck Jones,” by Hugh Kenner (University of California Press, $16). A literary critic celebrates the creator of the “Roadrunner” cartoons.

“A Marginal Jew: Rethinking the Historical Jesus, Vol. 2,” by John P. Meier (Doubleday, $35). What in the Gospels can we accept as historically factual? Meier offers fascinatingly detailed answers.

“The Republic of Letters: The Correspondence Between Thomas Jefferson and James Madison” (Norton, 3 vols., $150). These letters are a vital part of America’s heritage.

“Charlotte Bronte,” by Lyndall Gordon (Norton, $27.50). Gordon captures the author of “Jane Eyre.”

“An Anthropologist on Mars,” by Oliver Sacks (Knopf, $24). Sacks is at his best in this collection of unusual neurological case histories.

“A Sistermony,” by Richard Stern (Donald I. Fine, $17.50). Winner of this year’s Heartland Prize for nonfiction, this is a graceful, moving account of the life and death of Stern’s sister.

“Jack Kerouac: Selected Letters” (Viking, $25). As good as his best fiction, the first batch of Kerouac’s letters is an instant classic.

“Crossing the Line,” by Alvin Kernan (Naval Institute Press, $21.95). In this remarkable World War II memoir, a literary critic recalls his youth in the U.S. Navy.

“Dreaming,” by Carolyn See (Random House, $23). See’s is a surprisingly funny account of growing up amid a family of alcoholics and eccentrics.

“God: A Biography,” by Jack Miles (Knopf, $27.50). Miles looks at the Old Testament in a new way.

“The Romantic Generation” by Charles Rosen (Harvard, $39.95). Chopin, Liszt and Schumann are at the center of this major work of history and criticism.

“The Liars’ Club,” by Mary Karr (Viking, $22.95). With rare honesty and skill, Karr evokes her tough Texas childhood.

“The Executive Way,” by Calvin Morrill (University of Chicago Press, $27.50). A sociologist takes a detailed, “inside” look at the hows and whys of American corporate warfare.

“Walden: The Annotated Edition,” edited by Walter Harding (Houghton Mifflin, $30). Thoreau’s text comes wrapped in notes that tell readers everything that’s known about the work’s background.

“Dark Sun: The Making of the Hydrogen Bomb,” by Richard Rhodes (Simon & Schuster, $32.50). At once ghastly and fascinating, Rhodes’ account captures a key chapter in modern history.

“Grass Soup,” by Zhang Xianliang (Godine, $21.95). A former political prisoner traces the insidious legacy of Chairman Mao.

“Edward Hopper,” by Gail Levin (Knopf, $35). Levin’s portrait of the painter focuses on his intense, fractious marriage.

“Lincoln,” by David Herbert Donald (Simon & Schuster, $35). Donald gives us a bracing, innovative account of Lincoln’s career.

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