Houdini was also a spy, book suggests
NEW YORK – Eighty years after his death, the name Harry Houdini remains synonymous with escape under the most dire circumstances. But Houdini, the immigrants’ son whose death-defying career made him one of the world’s biggest stars, may have been more than a mere entertainer.
A new biography of the legendary performer suggests that Houdini worked as a spy for Scotland Yard, monitored Russian anarchists and chased counterfeiters for the U.S. Secret Service – all before he was possibly murdered.
“The Secret Life of Houdini: The Making of America’s First Superhero” will be released on Halloween – the anniversary of Houdini’s untimely death at age 52. Chasing new information on the elusive superstar eventually led authors William Kalush and Larry Sloman to create a database of more than 700,000 pages.
“There’s no way in the world we could have done this book without it,” said Sloman of the huge electronic index. “It would have taken 30 years – maybe.”
The biography lays out a scenario where Houdini, using his career as cover, managed to travel the United States and the world while collecting information for law enforcement. The authors made the link after reviewing a journal belonging to William Melville, a British spy master who mentioned Houdini several times.
Melville, while at Scotland Yard in the early 20th century, helped launch Houdini’s European career by allowing the performer to demonstrate his escape skills. Houdini, at a demonstration arranged by Melville, slipped free from a pair of Scotland Yard handcuffs as an audition for a London theater owner.
The book suggests that Melville’s compliance was part of a quid pro quo in which Houdini worked as a spy. A similar situation occurred in Chicago, where Houdini’s career took off after a publicity stunt aided by a local police lieutenant, the book said.
“Finding the Melville diary – we knew there was a connection, we knew there was something there,” said Kalush. “But finding that diary solidified a lot of other things.”
No less a Houdini enthusiast than Teller – the mute half of Penn and Teller, and one of the legendary performer’s spiritual descendants – felt the link between the escape artist and the authorities was no leap.
“Law enforcement is about bureaucracy and cronyism,” Teller said. “So they’re going to let some entertainer walk in and escape from their jail cells? That suggests to me that (the authors) are on the right track.”
Houdini’s renown was such that he was known around the world by a single name long before Sting or Madonna.
“We know Houdini was a hero,” said Sloman. “He could get out of anything – which was a myth, of course.”
Kalush said the myth eventually overshadowed the man. “It’s part of us: He’s a human, I’m a human, he can beat anything, so maybe I can beat some things,” Kalush said.