Summer Brennan can recognize a Vincent van Gogh painting by its wispy, vibrant brushstrokes. A series of loopy spirals or spindly legs? That's probably Louise Bourgeois.But after a few days of playing "Artle," Brennan, a writer based in Paris, began to notice some holes in her art knowledge. For 30 years, she has indulged her love of visual arts by visiting galleries, reading books and attending shows. So when she couldn't identify a piece by French photographer Eugène Atget, it felt like an embarrassing lapse."It does give you some self-awareness when you realize that all the artists you know right away are like White 19th-century artists, that maybe it's time to expand some of your art appreciation," Brennan said.One of the latest "Wordle" copycats challenges players not with letters, but with images plucked from the National Gallery of Art. The popular daily word game, which was purchased by the New York Times for seven figures in January, has sparked dozens of spinoffs: "Squabble" (a Wordle battle royal), "Herdle" (for the musically minded), and even "Lewdle" (for profanity experts)."Artle" begins by showing players a piece of art - a painting, photograph or sculpture - from the National Gallery of Art's 150,000-piece collection, including whimsical paintings by Georgia O'Keeffe and somber Roy DeCarava photographs. Players have four chances to guess the artist. Unlike "Wordle," there are no hints, although the art becomes progressively easier to identify as players strike out. Players can then share their results with friends through text messages or on social media.Mary Gregory, an art critic based in New York, began playing "Artle" as soon as it launched last monthand it's now become a ritual. Every day, Gregory and her husband return to the gallery's "Artle" website to test their art aptitude and extend their untouched winning streak."It's fun. It's a little challenge. And, you know what? If you get it wrong at the end, they tell you who it was," she said. "These are in the collection of the National Gallery, and the National Gallery belongs to everybody."Steven Garbarino, a product manager at the gallery, began developing the game after noticing that people were searching for "Art Wordle" online but that no such game existed. It was the worst possible time. In late March, the museum's staff was busy with "Afro-Atlantic Histories," the gallery's largest exhibition since the start of the pandemic. Garbarino worried that launching a gaming app would be seen as a distraction.To his surprise, National Gallery of Art Director Kaywin Feldman quickly jumped on board. It took little more than a month to build the game, and it quickly began attracting an audience, with players in nearly every country. It has been played more than 1 million times and has 30,000 daily players. The game has increased traffic to the museum's website by 125 percent."You can catch a little bit of lightning in a bottle and see cascading results," Garbarino said. "We don't have to spend 12 months developing a huge strategy and positioning plan. We can build something small [like 'Artle'] that engages the audience."Projects such as "Artle" reflect a new vision for the National Gallery of Art: a desire to quickly reach new, more diverse audiences. Since being named director in 2019, Feldman has updated the museum's mission statement and priorities. The product management team, which developed the game, has doubled in size, including adding more software engineers and digital consultants under Feldman's leadership. "The bulk of our funding comes from the American taxpayers, so we owe it to them to give them the greatest art experience they can have. And the nation is a very diverse place. We want to focus on the great richness of the diversity of the American people and better reflect the nation," Feldman said in an interview with Washingtonian last year.The team worked closely with the gallery's education department to choose a mix of famous, easily identifiable art and more obscure pieces. Within the game, for example, Georgia O'Keeffe paintings are considered easy to identify, while those by James McNeill Whistler are a little more difficult. Meanwhile, a piece by Elizabeth Catlett, a Black sculptor and graphic artist, is considered difficult to pick out.The gallery wants the artists displayed in the game to reflect a diversity of races and gender, Garbarino said. "Often some of the lowest success rates are on artists of diverse backgrounds, artists of color or women artists," he said.It's a challenge. Of the 157,553 objects in the gallery's collection, only 2.3 percent are by non-White artists, and 8.1 percent are by female artists. In the first 45 days of "Artle," 17.8 percent of the objects used in the game were by non-White artists and 22.2 percent were by female artists."It's a fine balance between bringing up artists that we think should be having a higher priority among the public while maintaining that ease of introduction to the game," Garbarino said. "If it happens to be two days in a row where it's a dead White man and someone is like, 'Hey, every time I come here, it's only a dead White man.' It's like, no, if you look at the broad spectrum of all the artists, it's much more diverse. But it's difficult to communicate that in one day."The well of famous artists will soon run dry, Garbarino said, and "Artle" will have to begin repeating artists or introducing its players to more unfamiliar names.That could drive away players like Brennan's husband who, she said, calls "Artle" "torture" and often simply offers Picasso as the answer to every image to end the game quickly.It turns out "Artle" may not be for everyone.
Artist Sheila Evans has been attending the Northwest Museum of Arts & Culture’s annual ArtFest since its earliest years on the museum campus, but it wasn’t until the event moved to Coeur d’Alene Park that she was able to participate in the competition.
The Idaho Repertory Theatre, the University of Idaho’s professional summer theater in residence, is returning to the stage with a production of Duncan McMillan and Jonny Donahoe’s “Every Brilliant Thing.” Starring UI theater professor Craig A. Miller, this one-man show follows a young boy’s attempts to lift his mother’s spirits.
The Northwest Museum of Arts & Culture’s annual ArtFest is back in person after pandemic-related closures in 2020 and 2021. The festival, Spokane’s largest juried art and fine craft fair, returned Friday to the MAC’s campus, 2316 W. First Ave., where it began 37 years ago. Previous events have been held in Coeur d’Alene Park.
Relocating from Coeur d’Alene Park, ArtFest 2022 is returning to the Northwest Museum of Arts and Culture for its 37th year. Celebrating art and fine crafts for the whole family, the event will feature 50 regional artists, live music, food trucks, a beer garden and “make-it art” kids’ projects.
As a teen growing up in Spokane, Masae “Patti” Warashina was focused on getting her education and getting out of town. She never dreamed of gaining international fame as “the Queen of Northwest Ceramics.” Nor did Warashina, 82, ever imagine that the Smithsonian would honor her.
Yes Is a Feeling – Spokane's third annual Queer Art Walk with Odyssey's Youth Center's "30 Years of History" campaign featuring LGBTQ+ members of the local community over the past decades. 5-7 p.m. 159 S. Lincoln St. (347) 670-4339. Chase Gallery – Spokane's third annual Queer Art Walk. 808 W. Spokane Falls Blvd.
ArtFest returns in person Friday in a different location after the COVID-19 pandemic forced organizers to move the three-day event online the past two years. “It was successful in a way,” ArtFest manager Betsy Godlewski said of the online format. “It kept our artists engaged. It was important for them ... ”
Spokane’s iconic 26-ton red wagon will be closed for three weeks starting Tuesday while it gets some much-needed TLC. Contractors for Spokane Parks and Recreation will give the wagon a fresh coat of red paint, in addition to making some small metal repairs, the city park department said in a news release.
In partnership with Terrain, APIC Spokane's "Hidden in Plain Sight" exhibition examines the stress of racism on identities and, on the final Friday of May, hosted a closing ceremony and panel discussion provided clearer context surrounding identity within the Asian diaspora, including Native Hawaiians and Pacific Islanders.
CLEVELAND – Imagine discovering the Beatles for the first time. You walk into a dark room and see the four of them blown up on a giant screen. They're playing a blistering live set. It is a gig, in rock circles, that has been acknowledged as one of the most famous musical performances on film.
Andrew Whitver, the creator of the Queer Art Walk, grew up as an openly gay man in the 1980s at the height of the AIDS epidemic. Witnessing the vast number of his friends' deaths propelled him into the political queer landscape. "I've always been a queer activist," he said.
New exhibits on display at the Billy Ireland museum and at the Charles M. Schulz Museum and Research Center in Santa Rosa, California, are celebrating the upcoming centenary of the birth of “Peanuts” cartoonist Schulz, born in Minnesota on Nov. 26, 1922.
After a two-year hiatus, the Lilac Festival is returning to downtown Spokane this weekend. This time, celebrating under the theme of “Our Town,” festival organizers aim to “honor the military, empower our youth and showcase our region.” 2022 Lilac Festival President Alan Hart chose the theme to honor the community.