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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Ludacris and ‘Karma’s World’ prove that hip-hop is for the kids

From left, father Conrad (voiced by Chris “Ludacris” Bridges), mother Lillie (Danielle Brooks) and brother Keys (Camden Coley) join Karma (Asiahn Bryant) in “Karma’s World.”  (Netflix/Handout)
By Bethonie Butler

From “The Boondocks” to “The Simpsons” to “Afro Samurai,” there is a well-established history of rappers lending their voices and music to animated TV shows.

But there’s a lot more to “Karma’s World,” which was created by rapper Chris “Ludacris” Bridges. The animated Netflix series follows a 10-year-old girl named Karma Grant (voiced by Asiahn Bryant) as she navigates life in her close-knit Brooklyn community and pursues her passion for hip-hop.

Inspired by the eldest of Bridges’ four daughters, “Karma’s World” has been more than a decade in the making. Long before it debuted as a Netflix series in 2021 – and well before the rapper delighted the internet by rapping the words to the children’s story “Llama Llama Red Pajama” – Bridges was struggling to keep 6-year-old Karma out of his home studio, where she often told him she wanted to follow in his footsteps. She was so persistent, he recalled in an interview with The Washington Post, he realized he had to take her seriously. “Daddy talks about what goes on in his life,” he told her. If she wanted to make music, she would have to do the same thing.

Bridges and Karma, now 20, created an educational website that debuted in 2011 and marked the first iteration of “Karma’s World.” The site was revamped a few years later, and with every version, Bridges said, the music got better, the animation and storytelling richer. As the TV series got underway, Bridges came in with a clear vision. “I want to move hip-hop culture forward with this show,” head writer Halcyon Person recalled the rapper saying in their first meeting. “I don’t want to just make another show – I want to really feel like we are changing the next generation of kids and bringing hip-hop to a whole new generation in a new way.”

In addition to his role as creator and an executive producer on the show, Bridges has infused “Karma’s World” with his Southern-fried sound, so much so that Karma’s flow sounds subtly familiar. “There are definitely elements that I can’t run away from,” Bridges said, but the key is “understanding the elements of just simplifying things” so that kids take in both the catchy tunes and the lessons.

Bridges also lends his famously crisp diction to Karma’s father, Conrad, who reliably comes through with the dad jokes, in addition to the advice he regularly gives his daughter. (On Karma’s favorite rapper: “MC Grillz? Does he barbecue?”)

The show’s brief episodes (13 minutes including credits) are as steeped in curriculum as they are in hip-hop culture. An early installment, “Hair Comes Trouble,” breaks down the concept of microaggressions after some of Karma’s non-Black friends pepper her with insensitive questions about her curly hair.