Restorers Hitting The Bricks In D.C.

Up near the top, where the damage to the Washington Monument is most evident, water sometimes cascades down the walls and pools in corners. The very wet winter has now produced its own severe weather system inside the monument and converted the interior of this national icon — a historic landmark and the architectural centerpiece of the nation’s capital — into a dark and dank shaft.

Usually welcoming 2,300 tourists a day, the monument now is visited by fewer than 20 people, mainly construction workers and preservationists. Scaffolding disfigures the interior. The light inside is so dim, the sound of water dripping so pervasive, and the air often so moist that the place seems more like a catacomb than a majestic obelisk.

“It leaks like a sieve,” Tom Fitzpatrick, the project supervisor for the National Park Service, said during a recent tour of the nation’s most prominent testimonial to the first president.

Controversial from its inception, long-delayed in its construction and with more lore and myth than any of the other monumental tributes to former presidents, the country’s signature memorial to Washington is now in the early stages of refurbishing. The $9.4 million effort, expected to be completed by July 4, 2000, represents the most significant makeover since the monument opened to the public in 1888.

Given the colorful and often unbelievable history of the monument, it is no surprise that there is a certain charm to its disrepair and to the work-in-progress, which started in earnest when the site closed to the public Jan 21. For the last few weeks, workers have ripped out antiquated pipes and the notoriously inefficient heating and cooling system while conservators have begun gently prodding dirt from the commemorative plaques along the 898-step stairwell.

Those toiling inside are already experiencing firsthand some of the eerie qualities of the place. Known to be oddly human at times — over the years it has literally moved, and its elongated shape means it “breathes” audibly — the obelisk has now taken to serenading those tending to it. The wind whistling through the imperfect seals at the top produces a spooky wail, the sound amplified nowadays because the ground floor entrance door is always closed and the shaft is frequently as silent as a grave.

The wail seems spookier still given the symbolism of obelisks in the nether regions. Even as it undergoes this face lift, one interpretation now on the Internet reminds readers that this particular obelisk was “designed so that both the White House and the Capitol face toward it so that the leaders of both branches have to face the spirit of Lucifer thought to be residing there.”

The monument is steeped in Masonic ritual — George Washington was a Mason, as were many of the Founding Fathers — and for conspiracy aficionados, the obelisk remains a central argument, and proof positive, that the country is run by a mysterious “world order.”

Conspiracies and superstitions aside, the lofty goal is to repair and modernize the 110-year-old landmark and prepare it to withstand the considerable assault of time and the elements. “It is an opportunity for the Washington Monument to go into the new millennium,” is how the National Park Service’s Vikki Keys, the deputy superintendent in charge, described the refurbishing.

The project is monumental in scope, fitting for a landmark that recovered from a less than lofty start and now looms so large in the landscape of the planned federal city.

Congress officially set out to build a monument to Washington in 1783, but bickering and a lack of interest (including from the subject to be honored) delayed producing a cornerstone until July 4, 1848.

Construction was halted at 152 feet in 1854; and for 22 years the truncated monument was hostage to political whims, the Civil War and the anti-Catholic American Party, or the Know-Nothings.

Its members at one point took over the society managing the construction - producing a stalemate with Congress - and, in the most notorious incident, stole and destroyed a commemorative plaque donated by Pope Pius IX.

Congress eventually restored order and appropriated the necessary funds to finish the job. Changes were made to stabilize the shifting base and correct other structural deficiencies, and the monument officially opened to the public Oct. 9, 1888. (A year later, the Washington Star described it as “a place where women faint and strong men tremble.”)

At the time, it was the tallest man-made structure in the world, and today it remains the tallest piece of free-standing masonry work in existence.

Set on 41 acres of open space, rising 555 feet 5 inches and weighing 81,120 tons, the monument is, as the Federal Writer’s Project noted in 1937, “the material symbol of Washington the city and Washington the man.”

This very prominence makes any repair difficult. Aside from altering the panorama of the city itself - exterior scaffolding will go up in the spring and obscure the monument for two years - the restoration of such a historic landmark poses considerable challenges.

Contractors now bidding for the scaffolding must meet exacting demands. The grid, which will be covered with architectural fabric for aesthetic reasons, will have to be strong enough to withstand gale winds and still not damage the face of the monument.

The project is divided into three phases. Phase one, for which Congress provided $1.9 million, involves removing and replacing the electrical, heating and air-conditioning systems and refurbishing the elevator. Once that part is completed, sometime in the spring, visitors again will be able to ascend to the top.

Phase two, which will include all the exterior work and require the scaffolding, will cost $6 million. Congress and Target Stores have provided $1 million each for that cost, and the balance is being donated by other corporate sponsors, including Kodak, 3M Corp., Proctor & Gamble Co., Visa USA Inc., Coca-Cola Co. and Discovery Communications Inc.

Phase three, still in the planning stages, will focus on the observation levels and is projected to cost $1.5 million. The plan is to solicit private donations for that piece of the work.

The Park Service also is considering setting up exhibits on the renovation, possibly on the grounds of the monument, so visitors will be exposed to the scope of the job.