Arrow-right Camera
The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Daughter”s story


Molly Jong-Fast, 26, who has written a memoir about her quirky childhood growing up in Manhattan, gestures during an interview at her apartment in New York City last month.  Her book,
Elizabeth LeSure Associated Press

There’s a juicy tidbit about actress Joan Collins. But Molly Jong-Fast, daughter of “Fear of Flying” author Erica Jong, says some secrets from her colorful family have been spared in her new memoir.

“I try not to scoop my mother in my writing – especially about her life,” the 26-year-old says during a recent interview at her apartment on Manhattan’s Upper East Side.

Nonetheless, her mother’s ex-boyfriends – from the wine dealer who went to jail to the guy who wound up selling vacuum-packed frozen meat from a truck – are fair game in “The Sex Doctors in the Basement: True Stories From a Semi-Celebrity Childhood” (Villard, 208 pages, $21.95).

It’s a tale of growing up amid New York’s wealthy and famous, a tale of nannies, secretaries, potential stepdads and eccentric relatives – including Jong-Fast’s grandfather, novelist Howard Fast, a one-time Communist with a 1,100-page FBI file.

In fact, she decided to share her stories with the world not long after 83-year-old Fast married his much younger secretary.

“I thought … this is the time to write about these people because they are so nuts,” said the young author, dressed in jeans, a black shirt and fuzzy light blue slippers, her long, wavy blond hair hanging loose.

Jong-Fast’s tone is irreverent, and she doesn’t shy away from such things as her grandfather’s obsession with his reviews in The New York Times or how her grandmother’s stomach “looked like a tushy placed slightly higher up on the wrong side of her body.”

She has no mercy for Collins, a pal of her mom’s who once told Jong-Fast that she was “too fat” to go on fashion designer Valentino’s yacht.

“Even at the tender age of thirteen, I knew that I’d be dining out on this faux pas for the next decade,” she writes.

Jong-Fast gets her revenge by recounting another episode involving the “Dynasty” star. She writes that she opened a mysterious white box that Collins had asked her to drop off – even though it had taped sides and was tied with string.

“I found a wig in Joan Collins’ box, and that’s when I realized that Joan Collins was not all she’s cracked up to be,” she writes.

The not-so-subtle implication – since toned down in the book – resulted in a letter from Collins’ lawyer. A lawyer for Random House then went through the manuscript and took out anything that seemed potentially libelous.

To avoid other legal complications, Jong-Fast changed names, often using funny pseudonyms – “Hitler” for a therapist, “Belle” for her grandfather’s second wife, and “Mr. Pig” for one of mother’s boyfriends.

She belongs to an elite group: sons and daughters of successful writers who have tried their own hands at the trade. Among them are Susan Cheever, daughter of novelist John Cheever, and Christopher Rice, Anne Rice’s son.

Jong-Fast considers Cheever, the author of four family memoirs, a mentor.

“There’s a club of us,” said Cheever, citing Linda Sexton, daughter of Ann Sexton, and Saul Bellow’s son, Adam, among others.

Cheever, who changed her name when she got married at age 23 but later took back her father’s name, has published four memoirs, including “Home Before Dark” (1984) about her father.

“It’s very, very difficult,” she said. “There are also great, great gifts to having a brilliant person as a parent.

“But as Molly’s book so brilliantly describes, it’s very difficult. And she makes it so funny. Which is really the way to go.”

In the introduction to “Sex Doctors,” Jong-Fast says she wrote the book in part to answer the question posed to her over the years by a British journalist and others: “So what’s it like being the daughter of the Queen of Erotica?”

Jong-Fast says it’s “a little bit irritating.” However, she adds, “You kind of get used to what your parents are, and you can’t imagine them as anything else.”

The “sex doctors” in her book’s title refer to Phyllis and Eberhard Kronhausen (authors of “Erotic Fantasies: A Study of the Sexual Imagination,” among other books), who lived in the basement of her mother’s Upper East Side town house for three years.

Jong-Fast still lives on the Upper East Side, in an apartment she shares with her husband and 14-month-old son, Max. Colorful toys are strewn around the living room floor, and the edge of the coffee table is padded with bumpers to make it child-safe.

Though her mother’s love life provided plenty of material for her memoir, Jong-Fast says she’s read only about 200 pages of “Fear of Flying.”

“I think I’m sort of rallying myself up for it,” she says.

“Flying,” first published in 1973, is a semiautobiographical novel about Isadora Wing, a poet who leaves her husband at a conference for psychoanalysts to drive across Europe with another man. Its frank talk about sex, fantasy and desire from a woman’s point of view was groundbreaking.

The book, which has sold at least 12.5 million copies worldwide, was praised by John Updike and Henry Miller, who called it a female version of “Tropic of Cancer.”

“It was the sex that really bothered me,” says Jong-Fast, who remembered thinking that it was “really dirty.”

“I don’t know that it was really dirty, but I was also like 16, or 15,” she says.

She also hasn’t read any of her grandfather’s books, which include “Spartacus” and “Citizen Tom Paine.” But growing up amid literary heavyweights who talked about agents and publishers was part of what brought her to writing.

Her mother has written eight novels, four nonfiction works and six collections of poetry. The 62-year-old Jong’s next book is a memoir, to be published in the fall.

“I wanted to be a writer because I wanted my family to take me seriously,” says Jong-Fast, who published her first book, the quasi-autobiographical novel “Normal Girl,” when she was 21 to mixed reviews (she thinks it was “just awful”).

Since then, she has completed a Master of Fine Arts program at Bennington College, married and become a mother.

“Mostly I’ve learned how to do what I’m good at, and not what I’m not good at,” she says of her writing.