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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

‘Studio’ tops of freshman shows

H United Feature Syndicate

Writer, producer and creator Aaron Sorkin cares deeply about the power of words and the future of television, and both concerns take center stage in the new drama “Studio 60 on the Sunset Strip” (10 p.m., NBC).

Let’s not mince words: It’s the best new show of the season.

Clearly based on “Saturday Night Live” and its long decline into mediocrity, “Studio 60” imagines the executive producer (Judd Hirsch) of the comedy showcase storming into view during a live sketch and delivering a blistering attack on his network and the dismal state of his own show, and television, comedy and pop culture in general.

After he’s fired, the new network president (Amanda Peet, in a great role that emphasizes her intelligence rather than her glamorous looks) decides to re-energize the show by hiring two celebrated and controversial former writers (Matthew Perry and Bradley Whitford) as executive producers.

In a single pilot, “Studio” manages to engage viewers in heartfelt arguments about censorship, culture, integrity, creativity, religion, drugs, accountability and courage. Not a bad way to spend an hour watching television.

How’s this for a contrived situation?

“The Class” (8 p.m., CBS) commences when perky doctor Ethan (Jason Ritter) decides to surprise his fiancee by reuniting members of their third-grade class.

Filmmaker C.C. Goldwater profiles her grandfather in the documentary “Mr. Conservative: Goldwater on Goldwater” (9 p.m., HBO).

Other highlights

The Jaguars host the Steelers (5:30 p.m., ESPN).

The race for the loot becomes paramount on “Prison Break” (8 p.m., Fox).

Teri Hatcher appears on “Inside the Actors Studio” (8 p.m., Bravo).

New evidence links Sara’s disappearance to another case on “Vanished” (9 p.m., Fox, TV-14,V).

Horatio pursues Marisol’s killer to Brazil on “CSI: Miami” (10 p.m., CBS).

Architects, engineers and artists make shelter out of rubbish on “The Scrap House” (10 p.m., National Geographic).