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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Secrecy shrouds ‘Crystal Skull’

David Germain Associated Press

CANNES, France – Indiana Jones doesn’t give up his secrets lightly, and neither does the man pulling his strings.

Director Steven Spielberg has tried to keep chapter four of the archaeologist’s big-screen adventures, “Indiana Jones and the Kingdom of the Crystal Skull,” under wraps as tight as an ancient mummy’s.

The stealth approach has whipped up a frenzy of expectation – and doubts about the movie’s quality – as he prepares to unveil it in front of the world’s toughest audience, critics at the Cannes Film Festival.

The film premieres here today, four days before it opens in theaters worldwide.

Revealing their cards at Cannes, with its notoriously snooty press corps, is a critical risk for Spielberg, executive producer George Lucas and star Harrison Ford.

The Hollywood trade paper Variety quipped that Indiana Jones was entering the “Kingdom of the Critical Knives,” and reporters have joked that Cannes might prove a new Temple of Doom for Indy.

Two years ago, the first press screening of “The Da Vinci Code” drew open laughter from Cannes critics, whose harsh reviews spoiled the film’s premiere a day later and set the stage for a worldwide critical drubbing.

Of course, “The Da Vinci Code” went on to gross $758 million globally. As the first movie in 19 years for one of cinema’s biggest adventure series, “Crystal Skull” is virtually assured of blockbuster results, too.

Spielberg has been hush-hush about the project from the start. Co-star Karen Allen, reprising her “Raiders of the Lost Ark” role as Indy’s old flame Marion Ravenwood, said he initially wanted to keep it a secret that she was even in “Crystal Skull.”

In its earliest incarnation, Lucas proposed an all-out alien flick called “Indiana Jones and the Saucer Men From Mars.” Spielberg and Ford didn’t like that idea, and it took more than a decade of wrangling to come up with a story all three could live with.

A trailer showing a crate marked “Roswell, New Mexico, 1947” – a mecca for UFO buffs – hints that the movie retains traces of its extraterrestrial origins. Remarks by Lucas that the new film took its cue from 1950s sci-fi tales backs up that notion.

From the trailers and studio press materials, the basic story line is out there: Indy and Soviet agents led by Cate Blanchett pursue a crystal skull that can bestow fantastic power on those returning it to a city of solid gold in the Amazon from where it was stolen.

Secrets remain, such as how Indy and Marion are reunited and whether co-star Shia LaBeouf is playing the love child of their “Raiders” romance.

Spielberg was incensed last year when an extra leaked plot details, and the filmmakers have scrambled to maintain the mystery.

“It’s been insane,” said Frank Marshall, a producer on the “Indiana Jones” movies. “I’ve spent a great deal of time on this movie just trying to keep things off the Internet. That’s totally new for us.

“There seems to be some kind of sport out there now to see who can put up a spoiler, which is not fair to the audience. We really tried to keep the lid on the story just for the audience’s sake.”