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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

‘Thousand Years’ explores relationship in Spokane

By Kevin Thomas Los Angeles Times

With the quiet, understated “A Thousand Years of Good Prayers,” Wayne Wang has come full circle, returning to the small, intimate films like “Chan Is Missing,” “Dim Sum: A Little Bit of Heart” and “Eat a Bowl of Tea” that established the Hong Kong-born Chinese American writer-director, best known for his deft screen adaptation of “The Joy Luck Club.”

When recently widowed Mr. Shi (Henry O), a dignified, slightly stooped older man from Beijing, arrives in Spokane, he tells his attractive daughter Yilan (Feihong Yu), whom he has not seen in 12 years, that she looks exactly the same. That she is brusquely dismissive of her father’s remark proves revealing: She is not really glad to see him, and it does not occur to him that she has been changed by life in the U.S.

Mr. Shi immediately starts behaving like a traditional Chinese father, wanting to know everything Yilan does and where she goes, imposing upon her his conservative views of women that clash with the liberated, independent, self-reliant woman she has become. Yilan’s resentment, however, bespeaks of older grievances and Wang’s staging of the inevitable climactic scene is inspired.

In adapting “A Thousand Years of Good Prayers” from a Yiyun Li short story, Wang shows us America through the experiences of Mr. Li and Yilan – and also the enduring effects upon the individual life in China under six decades of communist rule. For Mr. Shi, the U.S. piques his boundless curiosity but alarms him with its dismissive attitudes toward the elderly.

For Yilan, it is the land of freedom and opportunity. She feels more comfortable expressing herself in English, saying, “If you grew up in a language in which you never learned how to express your feelings, it would be easier to talk in a new language. It makes you a new person.”

Rich in revealing detail and apt in its use of everyday Spokane settings, “A Thousand Years of Good Prayers” shows that Wang remains a master explorer of the landscape of the human heart.

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