(Photo by Cheryl-Anne Millsap)

   Just after the morning’s first cup of coffee, I pedaled my bicycle to the organic market near my house. I’d been drawn by the sign advertising fresh local asparagus and I came home with bundles of the tender green vegetable in the wicker basket on the front of my bike.  That night, grilled in butter and olive oil, sprinkled with a bit of sea salt, it was as delicious as I’d expected. The quintessential taste of spring.

   Halfway around the world, in Germany, I know another woman was probably doing the same thing. Only her bicycle basket would be filled with the pale, white asparagus. It would be more delicately flavored, grown in tall mounds of earth, sheltered from the sun until harvest.

   From April to late June, Germans are mad for asparagus. Eaten only in season, the tender, pale, stalks set off a frenzy of dining and celebrating. We have asparagus season. They have Spargelzeit. Once the delicacy of kings, and regarded as a medicinal luxury in the Middle Ages, the “edible Ivory” stalks are brought out like treasure. Harvested, displayed and consumed with adoration.

   Weekly markets—usually held in the historic squares of the old cities—are sprinkled with stalls featuring rows of  white asparagus bundles paired with other early fruits and vegetables like radishes or strawberries. The effect is as colorful and appealing as any still-life composed by an artist.

   Restaurants create special menus dedicated to asparagus, each trying to outdo the other. It is blended into cocktails, pickled, chopped into salads, draped across main courses and even sweetened and turned into dessert.  One might have it in the morning’s omelet, lunchtime salad and again at the evening meal. With a glass of German wine, of course. There is no moderation.

   Like the country’s exuberant Christmas decorations, Asparagus is the star of spring. There are asparagus festivals, complete with Kings and Queens and districts organize asparagus trails and tours similar to the well-traveled wine routes that meander through the Rhine valley.  The Lower Saxony region produces a fifth of all the asparagus Germany consumes each season and in the Baden fields devotees, eager for the freshest bites, can pitch in and join the harvest.

   Here, in my part of the world, the sign is back. A new harvest of local Northwest asparagus is on display at the market so I’ll hop back on my bike and fill the basket again. I’ll serve it up and savor each bite. But I can’t help but feel a bit cheated. Sure, we have asparagus season. But Germany? Well, they get Spargelzeit.


Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Spokesman-Review Home Planet and Treasure Hunting columns and blogs and her CAMera: Travel and Photo blog, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

(Photo of the Hotel Viru KGB Museum by Cheryl-Anne Millsap)

   It’s usually done without thinking. I check into a hotel, unpack, take a photo if the view from the window is a good one, maybe even take a nap or, if there's time, a bubble bath.  Then, as I leave for the afternoon or turn in for the night, I slip the Do Not Disturb sign on the door and that’s that. My valuables are locked in the safe. My door is locked. My privacy is secured.

    I never gave much thought to that privacy as a luxury but recently, touring Estonia and the beautiful city of Tallinn on the coast of the Baltic Sea and the Gulf of Finland, I got a glimpse into an altogether different world. I took the one-hour KGB Hotel Museum at the Sokos Viru Hotel.

    The Hotel Viru, built in 1972, was Estonia’s first skyscraper and one of the very few luxury hotels in the Soviet Union. With a glitzy Vegas-meets-Moscow interior, complete with showgirls, the Varu was built to bring in much-needed tourism dollars. It was where visiting celebrities and VIPs stayed. But, as was later discovered when Estonia gained independence in 1991, the hotel was riddled with microphones and other surveillance secrets. Hospitality KGB style.

    Small unseen rooms were secreted between guest rooms to make it easy for KGB agents to eavesdrop and monitor guest’s activities. And on the 23rd floor (the elevator went only to the 22nd floor) in a cramped space occupied by two men and filled with equipment, private conversations were recorded and monitored 24 hours a day. On each floor, matrons sat in hallways and marked the comings and goings of each guest.

    In Tallinn, everybody wanted to work at the hotel. In Soviet Estonia, the next best thing to having some kind of power or prestige was having a friend who worked at the Viru. In a society where black-market trading was the only way to thwart severe and deliberate communist deprivation, who you knew was was like money in the bank. The Viru was a source of foreign currency. Of scarce food supplies, basic toiletries and any number of other desirable things.You could, for instance, if you were lucky enough to make an under-the-table deal, procure a cake baked by one of the hotel pastry chefs. A cake!


    The KGB tour starts in the lobby before taking the elevator and a flight of stairs up to the  secret room. The hideout’s interior is just as it was found when KGB agents fled. There are still cigarette butts in the ashtray. Our guide obviously relishes her job. She sprinkled her historical comments with “wink wink, nudge nudge”asides about the “micro-concrete” construction and the “special” bread plates which were wired with microphones and placed on the dinner table when KGB agents were particularly interested in what certain guests had to say.

    She told us that when Elizabeth Taylor stayed at the Viru, she threw a Movie Star tantrum and ripped open a feather pillow. Unfortunately, Ms. Taylor then tried, unsuccessfully, to flush the feathers down the toilet and caused quite the plumbing headache. Score one for Americans, I guess. (Astronaut Neil Armstrong was also a guest but was apparently less temperamental.)

    While the cloak-and-dagger machinations sound almost comic now, it’s worth remembering that life for the residents of Estonia during the Soviet years was anything but funny. There was no abundance of anything. Scarcity was real. So were travel restrictions and lack of personal freedom. The things we take for granted—like privacy—were sometimes unattainable. Think about that the next time you check into a hotel. And if you’re ever in Tallinn, a beautiful city in an independent country, check out the KGB museum at the Hotel Viru. It's worth the trip. And the reminder.
    
Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Spokesman-Review Home Planet and Treasure Hunting columns and blogs and her CAMera: Travel and Photo blog, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

Preparing to take a taxi to the Brussels airport, I’ve removed everything from my suitcase and spread it across the bed in my hotel room and I am, one by one, refolding and repacking each piece. Looking at the things I’ve gathered, even though I was trying to be prudent and to remember the charges the airlines level against heavy bags, I realize again how difficult it is for those of us who are susceptible to the romance of ordinary objects. Much more than the expensive souvenirs, we know the little things carry with them the most evocative memories of the places we explore.

Other cities and other countries haunt my house.  I can pull a book of matches out of a drawer in my kitchen and be instantly transported back to a cafe in a faraway place; strong coffee, conversation and an unfamiliar view through the window. Matchbooks are not so common these days and most I find were brought home years ago, but I occasionally still run across one and a tiny flame from Prague or Pennsylvania, will light the barbecue on my very American patio.

I frequently, if I like the scent, slip hotels soaps into my luggage between sweaters or folded pajamas to keep them fresh. When I unpack at home the fragrant soaps go into the linen closet. Again, when I least expect it, I’ll come across a bit of Paris or Brussels or Zurich or San Francisco tucked between pillowcases or folded into sheets.

At each museum I visit I purchase a postcard of the painting or sculpture I loved the most and the cards become bookmarks in whatever book I was reading on the plane or are slipped into travel guides. Some escape the pins on the cork board behind my desk and turn up when furniture is rearranged.

A bottle of wine, wrapped and slipped into a boot in my suitcase, is opened later bringing with it a reminder of a special meal or a special moment in Tuscany. Or Napa.

Now, after a week traveling across Belgium, my bags are full of such odds and ends. The silk scarves I collect as I go, gifts and souvenirs for my family, maps, travel guides and destination pamphlets picked up along the way are added to a few favorite hotel lotions and soaps. Finally, when it is all done I pull out the practical gift given to me last Christmas by my youngest daughter and prepare for the worst. Slipping the portable travel scale over the handle of my luggage I lift it, biting my lip as the numbers flash and then finally stop. Good news. For all my worrying, I am a pound or two under the limit.

That means there is just enough room for the big box of Belgian chocolate.


Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Spokesman-Review Home Planet and Treasure Hunting columns and blogs and her CAMera: Travel and Photo blog, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

   The helicopter lifted carrying six strangers, all of us tourists from across the United States. Our pilot, Gary, turned immediately toward the center of the island and within minutes, the bright Kaua’i coastline was lost in the dense vegetation.

    I’d already skirted the coast by road and onboard a catamaran, but with as much as 80 percent of Kaua’i accessible only by air, I needed this flight to truly see it all.

    The oldest of the Hawaiian islands, Kaua’i is in some ways still the most natural. The sprawling sugar cane fields are gone, replaced by a nascent coffee industry, and there are still long stretches of coastline that are undeveloped, lush and private.

    This is the Hawaii of my imagination, the landscape I’d hoped to see.

    We flew over the razor-sharp edges of volcanic ridges and through clouds that misted the windshield before we broke through to clear blue skies once again.

    The pilot banked smoothly to the right and we descended to the foot of the the sheer drop of the waterfall featured in the movie Jurassic Park. The only way to access the waterfall is by helicopter and when the blades stopped turning we walked the short trail to take photos splashed with water drops thrown from the falls.

    Back in the air we flew into valleys, crossed the breathtaking chasm of the red rock Waimea Canyon, the Grand Canyon of the Pacific, and then chased the breathtaking Na Pali Coast, banking in and out of hidden valleys between the vertical peaks. After a while I noticed we’d all put down our cameras and surrendered to the experience, overwhelmed by the views from every angle.

    The radio crackled in my ear and the pilot announced we were going to be the fortunate ones. Then he turned in the direction of the Wai’ale’ale Crater, the heart and center of Kaua’i. The clouds had moved on and we descended into the broken mouth of the crater.

   Where before we’d looked down on mountaintops and waves with a god’s-eye view, now we circled and banked like a mechanical bird riding a current of air, surrounded by the evidence of the violence of the island’s birth.  Waterfalls plunged over the vertical walls, ribbons of pure water undulating in the breeze, and plants and trees clung to every surface. I’d been warned about the effect of the crater and had shrugged off the idea of being moved to tears by such a thing. But within its walls, like so many before, I felt the power. Who were we to drop in uninvited to such a sacred space?

    Slowly we circled, taking it all in. Each of us still and silent, the music in our headsets providing a soundtrack that only emphasized the grandeur. I put down my camera again, wanting nothing between me and the beauty of the monument to the raw force of nature.

    When we flew up and out, cresting the edge, I leaned out looking over my shoulder, straining for one more look, half expecting the crater to lower a veil of clouds and in that way disappear from view, suggesting that the mystical place I’d just experienced had never really been there at all.    

Cheryl-Anne Millsap is a freelance journalist based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country.

CAM is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com


    
  

   In 2004, after writing a series of narrative feature obituaries for The Spokesman-Review, I began to notice how often women in their 70s and 80s—usually the surviving spouse—mentioned their service or work in a “Rosie the Riveter” type of job during World War II.

    Intrigued, I decided to do a larger feature on local women who’d been “Rosies.” My editor put a notice in the paper for a few weeks and I was inundated by calls. Hundreds of women contacted me asking to tell their story and I interviewed many of them.

    Time and time again the women talked about traveling to take a job at a shipyard or wartime factory. But I was left with the impression that their war work had been more than employment. It had been, for some, the biggest adventure of their lives.

     After the war most returned home or moved to another state with new husbands. Most left the workforce and stayed home with children. The dizzying whirl of sudden independence, graveyard shifts, USO dances was replaced with marriage, caring for young children and keeping house.

    Most didn’t seem to regret the choice, but I was struck by the fact that so many had never talked about the years before they settled down. Our interview was the first time they’d spoken of that time in front of family. Their children had no idea that the women they knew only as a mother, PTA president or Sunday School teacher had had any other kind of life.

    One woman said something that has stayed with me. I think of her words often.

    We’d finished the interview. I was packing up the portable scanner, the digital recorder, my laptop and my camera—the tools I carried to each meeting— and preparing to leave.  Almost as an afterthought, I turned to the woman who was still sitting at her daughter’s kitchen table.

    She’d traveled west to work at a California shipyard where she met and married a serviceman and at the war’s end moved to North Idaho with him to live on his family’s dairy farm. It was a life that was sometimes harsh with frigid winters, long hot summer days and the endless work of farm life. Like so many of the women I interviewed, she’d raised four or five children and then outlived her husband.

    “I’m curious,” I asked her. “How did the time you spent in California, not just the work but the things you saw and experienced, impact your life later?”

    The woman didn’t answer immediately. She looked down at her hands clasped as they rested on the table, smiled a small Mona LIsa smile, and said only, “There were times it sustained me.”

       Her daughter, a woman a few years older than me, reacted immediately.

      “Mother!” she said. “You know you were happy being home with us! You always said you loved living on the farm.” The woman continued to smile down at her hands.
   

    “It sustained me,” she said again.
   

    I said my goodbyes and left. But in the eight years since that morning, I’ve thought of her words at least once a week.
    

    So often I’ve imagined her, standing at the stove stirring oatmeal for the baby in his high chair, hanging laundry on the line, mending her husband’s work shirts, feeding the animals or working in the garden. I’ve imagined her taking care of everyone around her, but occasionally stopping for a moment to remember. To remember being a girl with a flower in her hair, dancing with a handsome sailor. To remember the camaraderie of lunches eaten out of a metal lunchbox in the company of other young women working to win the war. Remembering how it felt to be young and free and on her own.
   

   It doesn’t have to mean we’re unhappy with the choices we’ve made when deep inside there is a place or an event or even a scrap of memory we cling to.
    

   Those are the moments, after all, that bear the weight of the lives we’ve built.


    
Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com
  

(Photo by Cheryl-Anne Millsap)

    Following the main street through the center of Fish Creek, Wisconsin, on the western shore of the Door Peninsula, I stopped at the literal end of the road and stared out at the blue-white ice-skimmed surface of Green Bay.

    Sunset Beach Park is as far as you can go.

    A hundred yards or so to my right, out on the frozen shoreline of the bay, there were three people setting up cameras and tripods and occasionally their voices, scraps of conversation or a sudden burst laughter, carried to where I was standing. But for the most part, I was wrapped in cold winter silence.

    Of course, winter isn’t really silent at all. Even snowflakes make a sound when enough fall together. And as I sat on the curving stone wall looking over the cobbled beach, I began to notice the occasional sharp fracturing sound of the ice as it moved, edge against frozen edge.

    The park, aptly named, faces due West and provides a expansive view of the sunset and I imagine in summer, high season for the peninsula, when small towns swell with tourists and part-time residents, there is always a crowd at the end of the day. But it was still an hour to sunset on a cold February day, when the temperature was dropping with the sun, and still the view was irresistible. Minute by minute the colors of the sky changed.

    Suddenly the quiet was broken by the chatter and squeals of three teenage girls. They’d been strolling shoulder to shoulder down to the beach but when they saw the way the clouds surrounding the sun were stained, and shafts of light were streaking across the water toward them or shooting straight up, piercing the cloud cover like searchlights trained on the sky, they forgot whatever they’d been discussing and ran headlong down to the shore and out to the dangerous edge of the brittle iceline. The mother in me reacted and I almost called out to them to be careful. I could imagine their response, noticing for the first time the woman they’d hurried past, rolling their eyes at my warning. I held my breath as they danced and laughed.

    “Ohmygod, Ohmygod,” they called out, posing for one photograph after another, taking turns behind the camera.  “This is so beautiful.”

    “ Take one of me like this.”
   

    “No, take one of me.”

    By then, as if summoned to a meeting, a few more people had joined me at the park and cars were pulling over. On the ice, half a dozen serious photographers jostled for position, some setting up in one spot only to abruptly move to another- a better-angle for taking the perfect photograph. Other people simply pulled out cellphones and held them up, ready for the moment when the color would peak.

    As we all stood there, watching the sun move slowly, inexorably, to the edge of the horizon, washing the entire western sky in a deep pink, I thought about what primal drive compels us to stop for sunrises and sunsets and to record them if only in memory. Whatever it is, spiritual call or instinct, I was, in that moment, aware of its presence and grateful for it.

    It has to be a good sign, don't you think? Evidence that no matter where progress and time are taking us, we are, at heart, still connected to the natural world. On a raw Wisconsin winter day, we are held by its gravity and pulled by its beauty enough to make our way down to the shore to stand and wait, to celebrate the gift of the sun that paints the sky with fire.

    
Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

(Photo by Cheryl-Anne Millsap)

   Holding my newborn granddaughter, gazing down at her as she sleeps, I study her closely, mapping her with my hands and my eyes just as I did with her mother, my firstborn child. Just as I did with each of my children.

   Cradling her in my left arm, instinctively holding her close, pressed against my heart, I trace the curves and folds of her ear with my fingertip. It is as tiny and perfect as a seashell. With my hand I follow the already discernible swirl of her down-like hair as it wreaths her head. I take her  hand in mine, marveling at the strength of her grip, aware that each tiny finger is already marked with her unique signature. I rest one soft, wrinkled foot in my palm, imagining the steps it will take as she walks into the future. I fold into her, putting my face against her skin and breathing in the heady perfume of a sleeping newborn. I am lost in this child. Just as I was with her mother. Just as I was with each of my children.

   Most of us would, if asked, describe ourselves as ordinary. But the truth is, if we stop to think about it, there is no such thing as an ordinary human being. Even beyond temperament and personality, each of us comes into this world extraordinary in countless physical characteristics; in the flecks of color in our eyes and the way our brow furrows or our smile curves, in the imprint of each foot as we stride. Sculpted around a ladder of bones, draped in soft skin, we are unique and individual. Unlike any other living creature.  We arrive complete, an exquisite product of the complex and mysterious cellular shuffle that takes place at conception.

   But somewhere along the road, most of us forget this. We lose sight of the fact as we swirl in the crowd of humanity—a snowflake in the blizzard—that each of us is one-of-a-kind and like no other. Oh, we all secretly know it about the children we’ve created. We marvel at them even as they grow up. But we forget we are also wonderful.

   Perhaps this is why new babies capture and claim us. It goes beyond love. Beyond pride and a sense of fulfillment. When we reach out and take a newborn, when we bring a child close and look down on the miracle, we are reminded that each of us comes into this world, and leaves it, as a rare and beautiful thing.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com
  

   For most of my work-from-home career, we’ve shared an office and a routine. As soon as the door closes behind the rest of the family, we go to work.

   I have a tendency to fuss and fidget, jumping up from my computer to answer the phone or scan a document or make another cup of tea. He is more quiet. More content. He makes himself comfortable nearby, watching me move around, paying attention to what I’m doing, especially when I wander into the kitchen. He’s always willing to join me in a snack. Occasionally he gets restless and asks to go outside, but for the most part, he’s happy to simply share the space with me

   Actually, that’s the way we used to spend our days. Things are changing now. At 14, he’s an old dog. He no longer sits and watches me work. Now, as soon as we’re alone for the day, he is instantly asleep. He sleeps deeply and quietly, seldom “chasing rabbits” in his dreams the way he used to. I can step over him, open the refrigerator and even crunch into a carrot, his favorite treat, without waking him.

   And when he is awake, he doesn’t move a lot. Moving hurts, I can tell. He rarely climbs the stairs to my daughter’s room and even the two short steps leading from the kitchen to the back yard are sometimes difficult. Sometimes, as he sleeps, he groans softly, forgetting to hide the aches and pains.

   The other day, on deadline and stuck for the right word, I pushed away from the computer and my restless eyes wandered away from my keyboard and chased ideas around the room, gazing out the window, over the newspaper on the floor beside my chair, before settling on him.

   For a while I watched him as he lay there, remembering the day I brought him home. At just over a year old, he was a big, strong, sensitive puppy with a tendency to worry. But he had the soul of a rambler, which is exactly how he came to be with us; a stray who’d been picked up and taken to the Humane Society. And for the last 13 years I’ve had to keep my eye on him because he still likes nothing better than a solitary walkabout. Even now, on a bad day as stiff and slow as a mechanical toy, when I let him out the back door I have to watch him or he’ll slip away and stroll down to the park on his own.

   The saddest thing is that he can no longer drop and have a good roll in the snow. That was always his favorite thing to do on a winter day; to roll back and forth, scrubbing his coat in the fresh powder. I used to laugh at him when occasionally he would stop rolling and, relaxed and content, his feet still in the air, he would lie there for a few minutes gazing up at the sky like a child. Now he just stands and looks down at the snow for a moment and then moves on.

   I thought about all of this as I watched him and my throat tightened. I just don’t know how much more time we have together.

   Pushing my computer aside, I dropped down onto the floor beside him. He didn’t move. Stretching out, I lay beside my old dog and draped my arm over him, pressing my face into the rough fur of his back. He woke up enough to lift his head and look back over his shoulder at me as his tail thumped the floor a few times, but if he was surprised to find me lying on the floor next to him, he didn’t give any sign. He just stretched a bit, sighed deeply and went back to sleep.

   I lay there a few more minutes, taking and giving comfort, thinking about time and how it always slips away from us in the end, and then got up and went back to my desk. Back to my computer. Back to work in the company of my tired and true companion.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

  (Craters of the Moon National Monument photo by Cheryl-Anne Millsap)

   We follow the path that allowed a smooth, safe, place to walk over the rough, broken, lava field covering the Snake River Plain of southern Idaho, out to the open pits and domed entrances to the caves.

   We’ve driven to Craters of the Moon National Monument to see what is here and what we’ve found, as have so many others before us, is a dormant but not extinct volcanic area.  Blackened and inhospitable, scoured by a constant wind and temperatures that reach the extremes of each season, this great volcanic rift zone is covered only by brush and gnarled trees, with tall cinder cones and sharp, twisted, formations.
It is, to even the most jaded traveler, a strange and compelling place.

  Choosing the trail to the right we make our way to the top of the set of steep steps that drops down to the entrance of the Indian Tunnel cave, a vast lava tube created when a hard crust formed over molten rock that flowed and then retreated as the surface cooled. Inside the tube, lit by skylight openings above, the rustling and cooing of doves belied stony harshness around us. We know there are also bats, hanging silently in the shadows, waiting for dark and their time to fly.

   We pick our way carefully over the basaltic lava floor of the cave, navigating around boulders and the fractured lines of every surface, caught in the ancient drama that formed the underground room around us.

   At Craters of the Moon, it is impossible not to be reminded that the worst we can do to one another, even our terrible carelessness when we damage the fragile systems that support us, is nothing when compared to the power of the natural world to change itself.

   We bicker and fight, build up and tear down, and move on to lick our wounds or gloat over petty victories. But the earth throws terrible punches, crushes mountains with powerful blows, sends rivers over their banks and blows away our sticks-and-stones lives with without a care. The earth erupts, boils over, buckles and heaves, shrugs and upends stone, breaks open its own crust and then, as though gathering strength for another bout, sleeps. Waiting.

   Craters of the Moon is, in geologic time, still young. The last flows occurred only 2,000 years ago. And, even today, we can only stand and shiver in the scarred strangeness of the aftermath, surrounded by a violent beauty, listening, in a hollow space that, until another act of nature exposed the buried chambers, was a secret, silent place known first to the Shoshone and then, in the 1800’s, the pioneers and fortune seekers and now to tourists like us.
   

   We take our photographs, turn back for one more look, and then climb back to the surface. We are exhilarated. Changed. Reminded of the power of nature to create and recreate the world around us.

You can see more Craters of the Moon photos at my CAMera: Travel and Photography blog

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

  

This morning, at Chaps, one of my family's favorite places for Sunday brunch, I noticed a young family sitting at the table beside us. Three young boys and their parents.

The mother and father had their hands full with the two younger children, one just a lap baby. But the oldest boy, no more than five years old, was no bother at all. As we ate and sipped our coffee and talked over our own food, I kept stealing glances over to the other table. As good as my plate of eggs and bacon was, watching him was more delicious.

The boy had a big plate of the house specialty, Blueberry muffin French toast, in front of him. Each time he put a bite, smothered in syrup, in his mouth, he would wiggle a little, reacting to the sheer pleasure of it. I found myself smiling at his involuntary reaction, waiting for his next bite. When he turned his attention to the thick slices of bacon, I settled back with my mug of coffee and watched the show. 

Lost in a daydream, the boy placed the the end of one slice of bacon in his mouth and proceeded to chew on it the way a farmer might chew on a stalk of wheat. Bit by bit the bacon disappeared as he stared dreamily out the window, his hands slack at his sides and his legs wrapped around the legs of his chair. When one piece was finished, he repeated the process with another.

Finally, the little brothers were done with their breakfasts and the parents had taken one last sip of coffee and were bundling up everyone to go home.

The little boy who had needed no help polishing off a platter of food, stood up and slipped his arms into the sleeves of his coat. And then, as he turned to leave, he noticed a piece of his French toast in his chair where it had fallen from his lap. He stared at it for a few minutes and then looked over at his mother and his father. They had turned away and were already moving toward the door. He stood perfectly still another minute, as I watched, and then reached out, picked up the bit of fallen bread and popped it in his mouth. Just as he did so he looked over and caught my eye. I winked over the rim of my coffee cup. He smiled at me and then skipped off to join the rest of his family.

That, I thought to myself, is how each of us should appreciate a meal that was prepared and put before us. With gratitude and pleasure. Savored from start to finish. Especially that last delicious bite.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

  Sometimes before a speaking engagement, I have to gather my thoughts and find a topic that will have some relevance to everyone in the crowd. Other times, I don’t have to think about it at all.

    Last week, I spoke to a private executive networking group and we spent the evening discussing personal and professional ethics.   I shared a recent experience in which a former business associate deliberately forwarded a private email exchange to the individual we’d been discussing. As I told the story, the reaction of the upper-level managers and business owners in the room was electric and immediate.

    One or two have had similar accidental experiences, but all admitted they worry more about being a victim of that kind of deliberate act. All have—as have most of us in the course of a career—been asked and have given matter-of-fact, work-related, replies to queries by co-workers and employers, trusting that those comments would remain confidential.

     I found it interesting that while no one expressed any interest in who or what might have been mentioned in the email,  everyone was curious about the sender. It’s human nature, I guess. We all need to know who we can trust. And, as we discussed, while we should all behave in an ethical and professional manner, there are some occupations—medical, legal and financial, for instance—where discretion is sacrosanct. If we can’t trust a person who has access to our most intimate secrets, we’re particularly vulnerable.

    Ultimately, I learned a thing or two from the experience. I now have a legal “Do not share” addendum at the end of each email, although I know there’s not a lot any of us can do to stop someone from spitefully sending along something we’ve written.  And, without question, it was a reminder to never put in writing what you don’t want to see in print, even if you have no reason not to trust the individual on the other side of the conversation.

    In the end,  I shook my head over it for a day or so and then put it out of my mind. There is always the next little drama. But thinking about what the experience revealed about everyone involved, I remembered what my mother used to say about the occasionally nasty gossip that consumed us as teenagers.

     “Remember,” she would tell me as I mentioned the latest victim, warning me to stay clear of the cliques and bullies who seemed to take delight in pitting one against the other, “If they treat her that way today, what makes you think they won’t turn around and do the same thing to you tomorrow?”
  

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. Her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

(Photo by Cheryl-Anne Millsap)  

    My eyes flew open and I was instantly awake.

    It wasn’t that long ago that when I woke suddenly in the middle of the night, I would lie still for a moment, listening for what had pulled me out of a sound sleep, straining to hear the plaintive wail of an infant’s crying or the footsteps of a preschooler who was out of bed and into mischief. Later, it was the sound of a teenager coming home, chased by curfew  But this night there was only silence.

    I sat up, rubbed my eyes and then walked out of the bedroom. The rest of the house was dark but a single light burned in the living room and I saw my jetlagged son, home from Japan, sitting on the sofa. He was concentrating on the yarn and needles in his hands and didn’t look up until I was beside him.

    He had learned to knit while he was away and in the dim light of the lamp on the table, in the darkest part of the night, he worked on the pair of mittens he was making for his father.

    I sat down beside him and watched his hands as he worked. He is young, only 24, but his hands already show the wear and tear of all his projects. He is always busy making something, a piece or a part for one of the massive, expensive, machines he designs and builds or one of the tiny works of art he creates when he is bored or thinking hard about something. When he needs to keep his hands busy so he can still his mind.

    Looking at the scarred knuckles, the callouses, as he looped the rag wool yarn around the needle, making one stitch at a time and linking it with the chain, I thought about the things he’s made and brought me over the years.

    When he was five he took a piece of paper and marked it with North, South, East and West. He folded the edges up into a cup and inserted a brad into the center, covering the top with cling wrap. He’d made me a compass, he told me as he presented it. You could, if you wiggled it, make the brad rotate and point in a new direction.

    Later, in school, I was called to a conference with his teacher. “He’s not paying attention,” she told me. “He’s always working on something else.” And then she handed me a little paper tube. It was folded flat but if you allowed to rectangular tube to  open, a miniature classroom popped up. Rows of paper-doll heads looking toward the miniature blackboard and teacher. I studied it as the teacher, a woman my family knew and adored, talked to me about his lack of attention in class. She, like me, was torn. What he could do with his hands was astounding, but you have to pay attention if you want to move on to third grade.

    I have a treasure box filled with his handiwork. Clay pots, tiny shadowboxes, elaborate sketches and diagrams. This Christmas, his gift to me was a miniature loom. Perfect in every detail, he’d created it while on a ship in Japan, killing time while he waited to test the complex underwater drill he’d built, piece by piece. Bored, a lot on his mind that needed to be worked through, he grabbed a handful of coffee stir-sticks from the galley, some pieces of wire and the thread he usually carries with him as he travels. He built the working loom, complete with a tiny bit of cloth woven on it, and then, for a moment, considered throwing it away.

    But, because he is my son and I have hoarded his creations all his life, he put it into a box and mailed it to me. And Christmas morning I opened it, speechless at the cleverness of it. The beauty of it.

    When I found him knitting in the living room, he was doing what he does best, setting his hands free so his mind can follow. And, in the shadowy and quiet cocoon of the room, I listened as he talked about his work, his dreams, his concerns and his worries.

    I slipped my bare toes under his knee and tucked myself into the opposite corner of the sofa as one stitch linked to another and the mittens took shape.

    I thanked him again for the gift of the loom, working to keep the tears out of my voice and, taking advantage of the moment, I told him, just as I did when he was a boy, a sweet, busy, square peg trying to fit in a tight round world, that I am proud of him and always will be.

    Wherever life takes him, it won’t be on the same path others follow. He’ll always come into each new adventure through a side door. Through an opening no one else noticed. He’ll find his own way and he’ll be OK. Because his future, just like his heart, is in his hands.
  

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

   I knew even before I opened my eyes, something wasn’t right.
Lying on my back in the dark room, I could feel a heaviness on the center of my chest, a pressure that made taking each breath an effort. My mind raced, inventorying the signs of a heart attack. Shortness of breath? Yes. Pressure? Yes. Pain? Oddly, no.

   Fully awake by this time I realized the “elephant” occupying my chest was nothing more than a snoring two-year-old in footie pajamas, her precious blankie tucked under her arm, one thumb in her mouth, the thumb and forefinger of the other hand twisted—as was her habit—around one of her curls. She’d come into our room at some point and since her older brother and sister had—one by one—already made the trip and had staked out their places in the crowded bed, simply climbed up on top of me, popped her thumb in her mouth and drifted off again.

   I shifted, rolling her gently onto the bed beside me.

   Most mornings when the children were small, I woke up to find everyone who mattered most to me curled, warm and safe, around me. Our bed was an island—not always a comfortable island, with two adults, three children and the occasional cat—but in those moments, it was a sanctuary. 

   Now, the toddler who climbed me and stretched out like I was the top bunk at summer camp, is 22. Today is her birthday and there is a box of cupcakes waiting to welcome her home. 

   Now, she’s about to graduate from college and fling herself into the real world with all the enthusiasm, humor and jolly determination that have marked everything she’s done since the day she was born. She talked early. She walked early. She read early, asking me at five years old, her head cocked as she scanned a book on the shelves in the living room, “What is El-e-men-tal Ge-ol-o-gy?” Her only mispronunciation was a hard “ghee instead of “G”. It was at that moment I realized she hadn’t memorized all the children’s books in her room, as we’d thought. She’d been reading them since she was four.

   This middle daughter is an adult now, soon to have a degree in, of all things, geology. These days, nobody but the cat pads into our room in the wee hours.  But that doesn’t mean she isn’t still on my mind.

   Even now there are nights when I wake and lie quietly in the dark, thinking about her, about the baby she was and the woman she’s grown to be. About the balance of time and how easily it shifts from now to then. And in those moments I feel, again, the warm, familiar weight of love pressing down on my heart.


Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. In addition to her Home Planet , Treasure Hunting and  CAMera: Travel and Photo blogs, her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com
  

(Pam Barberis and son Evan wave to the crowd from the Black Star van at the Whitefish Winter Carnival Grand Parade. Photo by Cheryl-Anne Millsap)

    There’s still time to get to Whitefish, Montana this weekend for a unique Northwest winter event.
    

    This Saturday, Feb. 4, is the culmination of the annual Whitefish Winter Carnival. You can watch the gooseflesh-and-screams fun of the Penguin Plunge as hundreds of locals cannonball off the icy shore of City Beach at Whitefish Lake. You can elbow toddlers out of the way to catch candy thrown by participants at the rowdy downtown Grand Parade. Or, best of all, If you’re the haggling sort, especially the beer-drinking haggling sort, you might just be lucky enough to score a year’s worth of Black Star Beer.
   

    Ah. Now I have your attention.
   

    At the annual Black Star Beer Barter, held at the Great Northern Brewing Company, contestants try to out-bid one another by offering outrageous examples of just what they would do and how far they would go to win fifty-two cases (1,248 bottles if you’re math challenged) of the distinctive double-hopped golden lager. You don’t have to participate to enjoy the fun. It’s perfectly OK to hoist a Black Star or two and just watch the show, but it’s still not too late to come up with your own outrageous trade.
   

    If you want to prove you’re willing to party hard, here’s an idea:  Catch the 1:30 am Amtrak Empire Builder in Spokane, arrive in Whitefish with the Saturday morning sunrise. Spend the day downtown, after the Beer Barter stop by the Great Northern 17th Anniversary festivities and then take in the Whitefish Mountain Resort Torchlight Parade before the train pulls out and heads back to Spokane at 9:40 pm.

   Don't tell me that wouldn't impress your friends at Sunday's Super Bowl party.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. She blogs at CAMera and Treasure Hunting. Her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com






  

(Photo by Cheryl-Anne Millsap)

I don't deny it. I'm smitten with my new granddaughter. This new addition to the family is the last thing on my mind at night and the first thing I think of when I wake in the morning.

And as I hold her, watching her adjust to this new bright, noisy, chilly, world, I can't help but project forward, imagining the life she will have and the wonderful, incredible, changes she will see. And I hope I'm always close enough to share some of those adventures.

Read more in this CAMera blog post “Oh, The Places She Will Go!

(Photo by Jenna Millsap)

   My first grandchild arrived late last Sunday afternoon. As I sat by the phone, waiting for the call that she was here, safe and sound, I thought about what life will be like with this new little girl in our lives. I recalled late-night feedings, first words, bicycles with training wheels and first days of school, thinking it wasn't that long ago that I was experiencing all those things with my own firstborn. And now she's a mother.

   Looking ahead, looking for one special thing I can be to her, I imagined the places I can take this new granddaughter of mine, the parts of the world I'd like to show her.

   There is nothing like traveling with a child to open your eyes and ears. Our youngest daughter has traveled with me quite a bit and always, upon our return, I am startled by the things she teaches me. As only the young can, she notices things that escape me.

   Three years ago we sat in a garden in China, resting from the breakneck pace of the trip, and she pulled out the camera and set it to video. I asked what she was recording, looking around to see what had gotten her attention.

   “Nothing,” she said. “Just the sound of the birds.”

   I'd been so focused on my aching back and taking in the details of the exotic design of the garden and temple we'd been exploring, I hadn't even noticed the air was full of birdsong. Every treetop trembled with birds calling out and trilling to one another and we sat silently, listening, capturing that moment forever.

   The new baby is home now and everyone is adjusting to their new roles. I'm adjusting to being an advisor, not the CEO, and my daughter is learning to trust her own wisdom. But I look at those tiny feet and I am filled with secret plans to take them to the most wonderful places. To see the world anew through the eyes of this beautiful child.

Read more here.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. She blogs about travel and photography at CAMera and antiques and collectibles at Treasure Hunting. Her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

(Photo by Cheryl-Anne Millsap)

A bridge is more than a way to physically cross from one side to another. Many are works of art, sculptures of steel and wire. And the image of a bridge is a good metaphor for change, for leaving one state and entering another.

As someone crossing into new territory, bridges have been on my mind a lot lately especially as I sit down to write my next Home Planet column. So when I was looking at photos to post on my CAMera travel blog, I came across this image of the Oakland Bay Bridge. It was taken at the end of a June weekend spent exploring San Francisco, on the evening before I was to fly back home.

Like most everyone who flirts with the City by the Bay, I'd fallen under it's spell.

Although I love to travel, I'm willingly grounded for the next few months. My suitcase is in the closet and my passport is put away until spring or even summer. My next big adventure is closer to home, but that doesn't stop me from daydreaming. But I'll write more about that later.

Cheryl-Anne Millsap is a freelance writer based in Spokane. Follow her on Twitter at @CAMillsap

(Photo by Cheryl-Anne Millsap)

The winter’s first real snowfall blankets the city, with more predicted, and for a moment the flakes have stopped falling. A window in the weather has opened and the time is right.

I pick up the snow shovel that is kept beside the back door this time of year and it doesn’t take long to find a rhythm. As I work my way down the driveway, the shovel slides cleanly over the concrete, scooping up mounds of the fresh white powder. Up and down the street other people have come outside, moving like dark shadows against the brightness of the snow. A few call out to a neighbor but most, like me, work silently.

The city’s big plows push up the main street, scraping against the asphalt as they clear the streets for the morning commute. I catch a glimpse of the flashing yellow lights as they speed past at the corner and then the quiet returns.

When shoveling snow, when working or exercising in any way, it’s hard not to marvel at the intricate mechanics of the human body. The heart pumps , the mind directs, the muscles obey, the bones bear weight and the process repeats so quickly and smoothly we forget that we are, at our core, a living machine. Built to work.

The cold air bites at my face and my fingers begin to ache so I stop and pull off my gloves, tucking my hands under my coat, pressing them against my stomach.  My body, warmed by the exercise, comforts itself and soon I am back at work and my mind plays over people and projects and problems as I push forward, and, as always seems to happen when my hands are busy and my mind is free, there is a clarity that too often escape me indoors. I am startled when an answer, a solution or simple resolution that has been eluding me, pops suddenly into my head.

The snow sparkles like diamonds scattered over the ground in front of me, catching the reflection of the single lightbulb that hangs over the garage and I am reminded that with each shovelful I am lifting and tossing away more tiny, singular, crystals than I could ever count. But it is only the ones that catch the light for an instant and glint in the night that stand out.

It is, when you think about it, the same with ideas and and memories and shooting stars. There are more around and within us than we can ever imagine and yet we only glimpse the precious few that streak through the deep quiet of solitude and, without warning, light up the dark.

  

(See more of my work at my CAMera photo/travel blog)

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. Her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of Home Planet: A Life in Four Seasons  and can be reached at catmillsap@gmail.com

(Photo by Cheryl-Anne Millsap)

Maybe it's because I shoveled snow twice yesterday. It might be a reaction to my cold nose and hands and the pile of boots and gloves dripping on the floor beside the back door. Whatever the reason, I've been daydreaming about Italy. Remembering time spent in the lush, green, warmth of Tuscany.

So, with a bit of longing for olives and good wine and pasta served by a flirting waiter, I posted a picture of Lucca on my CAMera photo blog.

Buon giorno!

(Photo by Cheryl-Anne Millsap)



   If you were to ask me if I believe in heaven as a place where I’ll join all the people I’ve known and lost, and with whom I can spend eternity laughing and eating potato salad at one idyllic family reunion, I’d stall for time and finally fall back on that old relationship standard, “It’s complicated.”
But if you were to ask me to believe heaven is a place where I can be reunited with all the little things I’ve lost here on earth, especially the gold and silver that has slipped through my fingers, I’d have myself sent away like King Tut, laid out in style and surrounded by approximately half the jewelry I’ve ever owned. The hope would be I could finally find the missing half.

   My personal history is full of stories of the ones that got away. Starting with my school ring which I slipped off my finger and dropped into my purse. This would have been fine if I hadn’t put my purse on the top of my car and driven off. The purse, and the ring, were never seen again.

   Then there was that pair of tiny diamond earrings I lost in college. I remember taking them out before I went to sleep and pinning them to a piece of college rule (naturally)  notepaper. I also remember thinking I should get up and put them in my jewelry box. Unfortunately, the next time I went to put them on, I couldn’t remember where exactly I put that particular piece of paper. My roommate probably wadded it around her gum and tossed it. Or, it might have been me…

   As I grew up and began to travel, the trail of lost jewelry just got longer. There was that little gold chain that broke and slipped off somewhere on Broadway in New York City. And the bracelet I left behind in Memphis. And the silver hoop that went missing in Budapest. And the pearl earring that disappeared in Tuscany. And while it wasn’t a piece of jewelry, I’m still grieving for the cashmere scarf - five feet of comfort and warmth that cost more than I’d made that week-  the wind picked up and carried away while I was waiting for a bus in Reykjavik, Iceland. Really. The wind is fierce in Reykjavik, Iceland.

   I’m a sceptic when it comes to pearly gates and streets of gold, but I would become a willing believer in the idea of an accessory afterlife. Until, of course, I misplaced my halo. It would be all downhill from there.

Cheryl-Anne Millsap is a freelance writer based in Spokane, Washington. Her essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com