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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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Movie review: ‘Beetlejuice Beetlejuice’ is a mixed bag of recycled material

It’s hard to overstate the impact Tim Burton’s “Beetlejuice” had on the culture in 1988 — in fact, it feels like the rascally, wild-haired “bio-exorcist” memorably embodied by Michael Keaton has simply always been around, especially for a subset of millennials who grew up with the zany horror comedy on repeat. The Oscar-winning film was a critical and commercial success, it spawned an animated ...
A&E >  Movies

‘Beetlejuice Beetlejuice’ Venice premiere a giddy, goth family reunion

VENICE – Thirty-six years have passed since Tim Burton somehow turned “Beetlejuice,” a B-horror comedy starring Michael Keaton as a roguish demon in a striped suit, into one of the biggest box office successes of 1988. So, of course, one of the first questions at the news conference Tuesday for the world premiere of its sequel, “Beetlejuice Beetlejuice,” was about how everyone felt about getting old.
A&E >  Movies

Movie review: ‘Slingshot’ a sluggish trip to space

In “Slingshot,” a space travel thriller directed by Mikael Håfström, the title refers to a risky flight maneuver involving orbital mechanics. Astronauts journeying a billion and a half miles to one of Saturn’s moons, Titan, will need a gravity assist — the “slingshot” in question — from Jupiter’s orbital velocity in order to make it all the way. Why are they going to Titan? It’s the only other planet that has liquid on its surface, methane that they intend to harvest for clean energy to combat climate change on Earth.
A&E >  Movies

Tim Curry makes surprise big screen return, first feature film since 2012 stroke

Tim Curry is appearing on the big screen for the first time since suffering a stroke that left him wheelchair-bound more than a decade ago. The 78-year-old “Rocky Horror Picture Show” star, who broke out as Dr. Frank-N-Furter in the beloved musical, now appears in Michael Leavy’s horror film, “Stream,” in select theaters starting Wednesday, Variety reports. The film — with a synopsis that ...
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Why this ‘feel-good’ film embraces the label – and you should, too

“It’s all right to talk, yell at the screen,” instructs director Tina Mabry before the world premiere of her film “The Supremes at Earl’s All-You-Can-Eat” during the annual Martha’s Vineyard African American Film Festival. “That’s what movies are about. That’s what we are about,” added Mabry before the lights went down on this crowd of summer vacationers escaping the pressures of the C-suite and Congress.
A&E >  Movies

Garland District gets Studio Ghibli makeover

Kadra Evans, the owner of Little Noodle restaurant and vice president of the Garland Business District has been a Garland local since 2006. She wanted to have some sort of mural on her building but wasn’t sure what to do.
A&E >  Movies

Review: New director, heroine take reins in ‘Alien: Romulus’

The beauty of the “Alien” franchise is that it has always allowed room for distinctive filmmakers to play with their own aesthetics and themes. Ridley Scott’s taut, philosophical space-thriller “Alien” gave way to the sweaty, militarized machismo of James Cameron’s “Aliens.” David Fincher brought industrial Soviet aesthetics and psychosexual tension from his Madonna music videos to the stylish “Alien 3” (though he disavowed his directorial debut); even the darkly whimsical French auteur Jean-Pierre Jeunet put his quirky stamp on “Alien Resurrection,” before Scott returned for the bloody, brooding prequels “Prometheus” and “Alien: Covenant.”
A&E >  Movies

How ‘The Blair Witch Project’ revolutionized movie marketing

In the beginning was the Word — or, as they call it in Hollywood, word of mouth. For as long as there have been movies, studio marketers have relentlessly pursued ways to get people to talk about them. Whether through grabby trailers, glowing reviews or the water-cooler recommendations of satisfied audiences, word of mouth was the engine that could organically turn a little-known film into a sleeper hit through the power of communal buzz.