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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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A&E >  Movies

Movie Review: ‘Love Lies Bleeding’ a wild ride through dark humor, jolting story line

The first time we glimpse Jackie (Katy O’Brian) on screen in “Love Lies Bleeding,” it is not particularly auspicious. But we haven’t yet seen Jackie through the eyes of Lou (Kristen Stewart), and that’s the only gaze that matters in this film. When Lou – the manager at a muscle-head gym – catches sight of Jackie prowling among the weight machines, skin gleaming, her powerfully muscular body reflected in the mirror, almost glowing, it’s like director Rose Glass is letting us in on a lusty little secret. Lou’s desire is so palpable you can smell it, and lucky for her, the feeling is mutual.
A&E >  Movies

Movie Review: The energy’s not yet extinct for ‘Kung Fu Panda 4’

There’s a scene in “Kung Fu Panda 4” that resonates with anyone who’s struggled to meditate. The heroic panda, Po (Jack Black), plops under a blossoming peach tree, relaxes his paws and attempts to concentrate on a mantra. “Inner peace, inner peace,” he chants, but his mind can’t stay still. “Inner peace. Dinner please. Dinner with peas. In a sesame-soy glaze.” Spell broken, Po pads off having summed up this frantic sequel in, well, a pea. It aspires to be Taoism for tykes, but it’s just too fidgety.
A&E >  Movies

Movie Review: In ‘They Shot the Piano Player,’ a gifted musician goes missing

The beckoning spirit of Brazilian bossa nova floats through “They Shot the Piano Player.” A lot of ghosts, living and dead, float through, too – the aging but still vibrant musicians of that late ’50s/early ’60s musical revolution and the artists who live on only in recordings and archival interviews. But this animated documentary’s central ghost remains touchingly and frustratingly unknowable: Francisco Tenório Júnior, a gifted pianist, considered by his peers as one of the best of their generation, who disappeared in 1976 while on tour in Argentina.
A&E >  Movies

A man wanted to see ‘Dune 2’ before he died. The director sent his laptop.

“Dune: Part Two,” director Denis Villeneuve’s long-anticipated second chapter of the science-fiction epic, hit theaters this weekend. But it was secretly screened more than six weeks earlier in an unusual location: a palliative care facility, for a movie buff whose last wish was to see the sequel before he died.
A&E >  Movies

Movie review: Ethan Coen’s ‘Drive-Away Dolls’ is a bawdy road comedy that sputters

Coen brothers fans who have breathlessly awaited the solo fiction directorial debut of Ethan might want to cool their jets – or at least adjust their expectations. “Drive-Away Dolls,” the first Coen movie without brother Joel’s imprimatur, is a decidedly mixed bagatelle of B-movie riffs, late-’90s anti-style, lesbian raunch and retreads of beloved Coen classics. As a fast-paced, bawdy road comedy, this isn’t an inauspicious debut as much as a curiously flimsy and forgettable one. Your mileage may vary to the point of completely sputtering out.
A&E >  Movies

Movie review: Dakota Johnson embraces pure camp of ‘Madame Web’

Once upon a time, comic book movies used to be camp, riding the line of silliness and sincerity that would suit the cinematic adaptation of a slim illustrated volume about superheroes and their exploits. But over 20 years ago, the superhero industrial complex rejected camp, becoming dark and gritty, then sarcastic and flip, then cycling back to wholesomely earnest again for a time. However, in these days of waning superhero enthusiasm, fatigue setting in, it seems there’s an opening for comic book movies to be stupid – stupidly fun – again, especially if “Madame Web” can tell their fortunes.