Arrow-right Camera
The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Modest Mouse kicks off spring tour on high note with Spokane show

In this file photo from 2014, Isaac Brock of Modest Mouse, performs in Los Angles. In Spokane on Tuesday night, Brock and Modest Mouse skipped their biggest hits and battled a balky sound system before a sold-out Knitting Factory. (John Shearer / Invision/AP)

The Knitting Factory was buzzing Tuesday as a sold-out crowd waited in anticipation for Modest Mouse to take the stage.

As this was the first show of the band’s spring tour, there was no way to know what the set list would include, no way to know what surprises the band had in store.

After months off the road, Modest Mouse likely felt the same anticipation, ready to shake off the cobwebs and perform.

By the end of the night, after Modest Mouse pulled songs from throughout its discography, fans both new and old were no doubt satisfied – save for those hoping to hear “Float On” or “Ocean Breathes Salty,” two hits the band didn’t play.

The band started with “Grey Ice Water,” a deep cut off “Building Nothing Out of Something,” a compilation of non-album tracks from throughout the band’s career.

Modest Mouse immediately switched gears to newer material, playing “Sugar Boats” and “The Tortoise and the Tourist,” both from its latest release, 2015’s “Strangers to Ourselves.”

Drawing a big reaction from the crowd, the band played “Dashboard,” from 2007’s “We Were Dead Before the Ship Even Sank,” before getting back to “Strangers” with “Pups to Dust.”

The band’s fourth album, their Grammy-nominated breakout hit “Good News For People Who Love Bad News,” got some love with the band playing “This Devil’s Workday” and “Bukowski.”

After “We Were Dead’s” “Invisible” and “Trailer Trash” from the band’s sophomore album, “The Lonesome Crowded West,” Modest Mouse surprised the crowd with “Interlude (Milo)” from “Good News,” leading into, after a little tuning, “S—t in Your Cut” from “Strangers.”

The band closed the set by hitting “We Were Dead,” “Strangers” and “Good News” again with “Missed the Boat,” “Be Brave” and “The View.”

Lead singer Isaac Brock thanked the crowd before leaving the stage, but chants of “Modest Mouse” quickly brought him and the rest of the Issaquah-born band back onstage.

The band’s extended encore started on a high note with “Cowboy Dan” and continued to rise with crowd favorite “Dramamine,” off Modest Mouse’s debut album “This Is a Long Drive for Someone with Nothing to Think About.”

Another “Building Something” deep cut, “Sleepwalking,” followed, then the band returned once more to “Strangers” with “Ansel.”

Closing the night on a frenzied note, the band ended with “S—t Luck,” from “Lonesome.”

Brock’s vocals were difficult to hear at times, and the band fought feedback throughout the set, but, overall, Modest Mouse sounded well-rested, even rejuvenated, and ready for the rest of the tour.

Bugs will inevitably pop up at the opening date of a tour, but perhaps Tuesday’s sound issues and very, very sold out crowd are a sign that Modest Mouse has outgrown the Knitting Factory, having also performed sold-out gigs there in 2009 and 2011.

The band clearly has a huge fanbase in and around Spokane, so Modest Mouse at the INB or even the Star Theatre at Spokane Arena would likely be just as well received.