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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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A&E >  Entertainment

Game On: Destiny 2’s ‘content vault’ locks gamers out of missions they paid for

I’ve written at length about the “games as a service” model before, wherein video games are continually updated with new content every few months. One of the longest-running examples would be World of Warcraft, a massively multiplayer online role-playing game initially released in 2004 that continues to receive content updates to this day. Games like WoW and Eve Online pioneered the space with their subscription-based sales model.
A&E >  Entertainment

In Billy Eichner’s ‘Bros,’ gay love gets its Hollywood ending

Near the beginning of Bros, a gay romantic comedy co-written by, and starring, Billy Eichner, his character Bobby Leiber lays out the stakes: "Love is love is love?" he asks in the incredulous bark Eichner perfected in his hit show Billy on the Street. "No, it's not." Gay friendships are different, he explains. So are gay sex lives and relationships.
A&E >  Entertainment

Analysis: ‘Dahmer’ is not a story that needs retelling

The true-crime cottage industry that exploded in the years following "Serial," the podcast that became a cultural phenomenon in 2014, is inherently exploitative - even when the work in question has an ostensibly noble mission. In the case of "Serial," the mission was to find out whether an innocent man had been convicted of a murder he long maintained he did not commit. But even as the "This American Life" spinoff inspired fervent interest in Adnan Syed's 2000 conviction for the murder of his ex-girlfriend, Hae Min Lee, it has also received criticism for what - and whom - it left out.
A&E >  Entertainment

‘Smile’ lampoons horror tropes — or does it?

Writer/director Parker Finn’s feature debut “Smile” boasts the thinnest of premises based on a laundry list of horror movie trends and tropes, from the historical to the contemporary. Based on his 2020 short film “Laura Hasn’t Slept,” Finn inserts the latest hot topic in horror — trauma — into a story structured around a death curse chain, as seen in films like “The Ring,” “It Follows” and “She Dies Tomorrow.” All that’s needed to pass along the curse is a mere smile, but it’s the kind of chin-lowered, eyes-raised toothy grin that communicates something far more devious than friendly.
A&E >  Entertainment

Game On: Antiquated CRT TVs deserve better than a landfill

Before you throw out your old cathode-ray tube TV, you might consider the possibility that it’s worth something to the right person. A few weeks ago, I was thrift shopping with a friend when he pointed out an old 24-inch Samsung CRT in the corner with a prominent “FREE” sticker tacked on. I gave it a quick look and determined it was a quality set – a flatscreen manufactured in 2003 – hours of usage were presumably low, burn-in was unlikely, and equipped with plenty of ports for plugging in all sorts of old game consoles, DVD players and VCRs.
A&E >  Entertainment

‘Don’t Worry Darling’: Trouble in a ‘Twilight Zone’-adjacent paradise

The advance hype for “Don’t Worry Darling” has been so incessant – from director Olivia Wilde’s location-turned-relationship with her leading man, Harry Styles, to a Kabuki-like feud with her lead actress, Florence Pugh, and something involving Chris Pine and Styles at the recent Venice Film Festival – that it’s easy to forget there’s an actual movie at the center of it all. A movie that’s not a disaster, but not particularly distinguished; a movie that, in the end, will wind up being as forgettable as its own bizarre publicity.
A&E >  Entertainment

Movie review: Lena Dunham’s adaptation of ‘Catherine Called Birdy’ an instant teen classic

Lena Dunham’s warm, lively adaptation of Karen Cushman’s 1994 historical novel “Catherine Called Birdy,” opens with a needle drop that references another classic teen movie. Misty Miller’s cover of the '90s Supergrass tune “Alright” plays as a young Lady Catherine (called Birdy) (Bella Ramsey), finds herself in the midst of a mud fight during a raucous cottage raising in her medieval English village.