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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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Movie review: ‘Preparation for the Next Life’ a powerful assertion of dreams, humanity and hard work

During a dark moment in Bing Liu’s “Preparation for the Next Life,” our protagonist, Aishe (Sebiye Behtiyar), seeks guidance in a place she did not think she’d return to: a mosque. An undocumented Uyghur immigrant from China, Aishe has left behind the religion in which she was raised, but feeling alone and stuck in New York City, she turns toward this place of cultural familiarity, where the ...
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Movie review: ‘Honey Don’t!’ another uneven entry in B-movie trilogy

In 2024, married filmmakers Ethan Coen and Tricia Cooke posed a cheeky question with their screwball caper “Drive-Away Dolls” – what if crime comedies could be way less masculine, and way more sapphic? Working in a style and tone that could only be described as “late ’90s Tarantino rip-off,” the two essentially “queered” that particular subgenre with a wild, wacky and sexually uninhibited sensibility.
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Movie review: Unoriginal ‘Nobody 2’ forgets what worked in the original

Just about anyone can be an action hero when production company 87North – the team behind the “John Wick” franchise – is behind the camera. They proved that in 2021 when they made comedian and “Better Call Saul” star Bob Odenkirk a surprise badass in the hyper-violent dadsploitation flick “Nobody.”
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What to stream: Swap in these Lindsay Lohan movies to go with ‘Freakier Friday’

“Freakier Friday,” in theaters this weekend, marks a triumphant big-screen comeback for Lindsay Lohan, the irrepressible star of “Mean Girls” and more, who endured her fair share of tabloid scrutiny and infamy. Her charming and spunky screen presence made her a child and teenage star, but she stumbled through a rocky patch in her 20s with misguided life and career choices. But with “Freakier Friday” in theaters, it’s the perfect time to trace her career through her filmography, including all the ups and downs.
A&E >  Movies

Movie review: ‘The Naked Gun’ reboot delivers with nonstop humor

Paramount has been running a PSA-style ad for their reboot of “The Naked Gun,” with star Liam Neeson imploring the viewer to save a comedy movie by purchasing a ticket. It’s hard to believe the big-screen comedy is an endangered species, but everyone seems to be getting their laughs on smaller screens. Even superstar Adam Sandler’s latest efforts go to Netflix.
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Movie review: The funny-tragic rom-com ‘Oh, Hi!’ starts blissful, ends toxic

LOS ANGELES — The high-stakes romantic comedy “Oh, Hi!” is a backhanded compliment to lotharios like Rudolph Valentino, James Bond and “The Wolf of Wall Street’s” Jordan Belfort. At least those frank seducers wanted quickies. Fickle Isaac (Logan Lerman) strings women along pretending to be a sweetheart. Four months into dating Iris (a bubbly Molly Gordon), he whisks the smitten girl on a ...
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In ‘Happy Gilmore 2,’ Christopher McDonald will still eat you for breakfast

Christopher McDonald does not deliver threats in rhymes. He does not tell fans to go back to their shanties. He would never say he eats “pieces of s--- like you for breakfast.” (He’d prefer to have a green smoothie with protein powder, spinach and fruit.) He is not, in other words, Shooter McGavin. But also, kind of, isn’t he?
A&E >  Movies

Movie review: Ari Aster grapples with recent past in ‘Eddington’

In every one of his films, writer/director Ari Aster has unpacked a trauma, usually his own. In the folk horror film “Midsommar,” it was relationships, while in “Hereditary,” “Beau Is Afraid,” and his short film, “The Strange Thing About the Johnsons,” he dove into family trauma to horrifying and absurdly comic ends. In his new film, “Eddington,” Aster tackles a collective American trauma using the most American of genres, the Western. That he trains his lens on recent history might feel too hot to handle, but it doesn’t mean that we can or should look away.