By 1942, Ansel Adams has established a successful career as a commercial and landscape photographer. He’d traipsed about the American West, capturing in glorious black and white the now-famous images “Moonrise, Hernandez, New Mexico,” “Monolith, the Face of Half Dome,” and “Taos Pueblo.” That same year, more than 110,000 Japanese-Americans who lived on the West Coast were forced from their homes and businesses and sent to live in one of 10 relocation centers scattered from Southern Idaho to California and east to Arkansas.