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‘My Neighbour Totoro’ Dominates Olivier Award Nominations

Alex Marshall New York Times

New York Times

LONDON – A stage adaptation of “My Neighbour Totoro,” an animated Japanese children’s movie filled with fantastical creatures, emerged Tuesday as the front-runner for this year’s Olivier Awards, Britain’s equivalent of the Tonys.

The show, which ran at the Barbican Theater in London and included numerous giant puppets, secured nine nominations for the awards – more than any other play. Those included nods for best comedy, best director for Phelim McDermott and best actress for Mei Mac as a girl who discovers a magical world near her home.

The play’s high number of nominations was perhaps unsurprising given that “My Neighbour Totoro” received rave reviews when it opened last year.

Matt Wolf, writing in The New York Times, said the play’s puppets were “the most endearing sight on the London stage” at the time. Sarah Hemming in The Financial Times said the Royal Shakespeare Company production was “a tender, remarkably beautiful family show that extols kindness.”

Although “My Neighbour” secured the most nominations, it did not get a nod for best new play. Instead, four more grown-up dramas will compete for that title. Those include “Prima Facie” at the Harold Pinter Theater, a Broadway-bound one-woman show about sexual assault that stars Jodie Comer; “Patriots” at the Almeida Theater, a retelling of President Vladimir Putin’s rise in Russia; and Aaron Sorkin’s “To Kill A Mockingbird” adaptation at the Gielgud Theater.

Those shows will compete with “For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy,” a play at the Royal Court in London about six young Black men who meet for group therapy.

Comer’s performance in “Prima Facie” struck a chord with West End audiences, and she was also nominated for best actress. She is up for that title against Mac of “My Neighbour Totoro,” as well as Patsy Ferran for “A Streetcar Named Desire” at the Almeida, Janet McTeer for “Phaedra” at the National Theater, and Nicola Walker for “The Corn Is Green,” also at the National.

Before Tuesday’s announcement, many British theater critics had expected Emma Corrin to receive a nomination for “Orlando,” a play based on Virginia Woolf’s gender-fluid novel, at the Garrick Theater.

That would have likely caused a media stir as Corrin, who is nonbinary and uses they/them pronouns, has over the past year repeatedly urged award show organizers to make their acting categories gender neutral. Last year, Corrin told the BBC that it was “difficult for me” to be nonbinary and nominated in female acting categories.

Emma De Souza, a spokesperson for the Society of London Theater, the award’s organizers, said that Corrin was considered in the best actress category, but did not make the cut. “It was an incredibly competitive year,” De Souza added.

The winners of this year’s Olivier Awards will be announced in a ceremony at the Royal Albert Hall in London on April 2.

This article originally appeared in The New York Times.