About 40 years ago, when Spokane artist Harold Balazs was recuperating in the hospital from an injury, he had with him some Japanese accordion-fold sketchbooks. And in one of those sketchbooks, he sketched a fake “family album” – images, sometimes outlandish, of a family that wasn’t his. “I was making a photograph album that everybody keeps and I was reflecting on, you take pictures of the bear you shot, and you take pictures of your new car, and all those things,” he said.