Arrow-right Camera
The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

Latest Stories

A&E >  Entertainment

Movie review: Robert De Niro, Edgar Ramirez do OK with bantamweight script

With “Hands of Stone,” Robert De Niro officially enters his Burgess Meredith-in-“Rocky” phase, bringing the ringside grizzle and rumpled gravitas by the pound. In writer-director Jonathan Jakubowicz’s peppy, none-too-probing biopic of Panamanian champion Roberto Duran, played by Edgar Ramirez, the “Raging Bull” Oscar winner (and let’s not forget “Grudge Match”) takes the role of legendary trainer Ray Arcel. He’s the man behind the man. And good or bad, there’s always a man behind the man in boxing.
A&E >  Entertainment

Fitz and the Tantrums refuse to stay in one place artistically

Fitz and the Tantrums make party music in the purest sense of the term. Fronted by Michael Fitzpatrick, the Los Angeles six-piece specializes in upbeat, catchy pop gems that stack hooks on top of hooks. The band, which performs at the Knitting Factory on Tuesday, recently released its third album, a self-titled collection that chugs along with the insistence of a wedding DJ trying to fill a dance floor.
A&E >  Entertainment

Singer, director Abbey Crawford gathers friends for benefit show

“Make It Matter with Music” is a musical revue hosted by local jazz vocalist and theater director Abbey Crawford and featuring various local stage performers. Taking the stage at the Bing Crosby Theater on Saturday, the show will also serve as a fundraiser for the Vanessa Behan Crisis Nursery, the Modern Theater and Friends of the Bing.
A&E >  Entertainment

Band of Horses’ latest pushes own boundaries

On Band of Horses’ fifth studio album “Why Are You OK,” the neo-folk rockers, who perform at the Fox on Tuesday, push themselves further away from the deliberately ragged sounds of their earlier recordings. According to frontman and primary songwriter Ben Bridwell, “Why Are You OK” is a record about artistic trepidation, a document of an indie rock star’s fears of growing up and becoming complacent.
A&E >  Entertainment

L.A. inspiration fuels Zella Day’s sound

Born and raised in the small resort town of Pinetop-Lakeside, Arizona, singer-songwriter Zella Day, who opens for Michael Franti at the Knitting Factory on Tuesday, always fantasized about making music in Los Angeles. Day’s latest album, “Kicker,” is defined by the wide-eyed optimism of a small town kid newly arrived in a big, sparkly city, a collection of stories about runaways, modern-day outlaws, hippies and heartbreakers. In that sense, it’s a distinctly Los Angeles record.
A&E >  Entertainment

Movie review: ‘Florence Foster Jenkins’ hits all the wrong notes

Perhaps not every quirky true story needs a biopic starring Meryl Streep, as evidenced by Stephen Frears’ bizarre “Florence Foster Jenkins,” the story of a wealthy older woman who launched an amateur singing career in the 1940s, despite her distinct lack of talent. It’s a film that dares you to give it a bad review, simply so it can turn around and call you a bully who picks on the people who try.
A&E >  Entertainment

Movie review: Rude, crude ‘Sausage Party’ is unlike any animated film you’ve ever seen

Leave it to Seth Rogen and Evan Goldberg to take animated films to a realm they’ve never gone before – the hard R-rating. “Sausage Party” is the rude, crude, foul-mouthed “Secret Life of Snacks” that could only have come from the brains of Rogen and Goldberg, who dreamed up the idea 10 years ago. It’s taken that long to get two studios in Annapurna Pictures and Sony Pictures to bring this ballsy notion to fruition, and the result is unlike anything you’ve ever seen – and probably won’t ever be pulled off in the same way again.
A&E >  Entertainment

Musical ‘Bring It On’ explores friendship, acceptance

“Bring It On” is a tale of two high schools, one affluent and the other low-income, and the star cheerleader torn between them. The high-energy musical, which features songs by Lin-Manuel Miranda (“Hamilton”) and Tom Kitt (“Next to Normal”), hits the stage on Thursday as the final production in Spokane Valley Summer Theatre’s debut season.