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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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A&E >  Music

André 3000 drops new music, but with a new instrument

ATLANTA — André 3000 floats to the tune of his own key. Quite literally. A week after Outkast was announced as Rock & Roll Hall of Fame inductees, the Atlanta rapper, flutist and now pianist has yet to address the honor publicly. Instead, on Monday night, he dropped new music — moments before appearing on the Met Gala red carpet. “7 Piano Sketches,” his surprise EP, is seven tracks of solo ...
A&E >  Music

Soundgarden to be inducted into Rock & Roll Hall of Fame

After missing the cut in its first two nominations, Soundgarden is going into the Rock & Roll Hall of Fame as part of a 2025 class that includes hip-hop innovators Outkast, Cyndi Lauper, the White Stripes, ‘70s rockers Bad Company, Joe Cocker and Chubby Checker.
A&E >  Music

Symphony review: Masterworks 8 gives vibrant vocal performance for Haydn’s oratorio ‘The Creation’

With Music Director James Lowe as their guide, audiences at Spokane Sympony masterworks concerts have been led through every psychological state one can imagine: anxiety, exultation, rage, delight, fear, depression and triumph. The vehicles for reaching these varied destinations have been, for the most part (Mozart is an exception to this, as to all other generalizations), pieces of music composed after 1800; that is to say, works of the Romantic period and later. This season’s eighth masterworks concert Saturday and Sunday at the Martin Woldson Theater at the Fox was devoted to a single work – Joseph Haydn’s oratorio “The Creation” (1797) – and presented us with something remarkably, and wonderfully, different.
A&E >  Music

Concert review: ‘Own every note’ – Zuill Bailey pays homage to his teacher Joel Krosnick

On March 18, 2012, Zuill Bailey gave a recital at Spokane’s St. John’s Cathedral of the first three Suites for Solo Cello by J.S. Bach. Many in the audience realized that we were present at something out of the ordinary. To be sure, the playing was very good – wonderful, really – but there was more than that: Bailey was playing quite deliberately for us, determined that we feel the majesty, sweetness and sorrow in that music as powerfully and completely as he did. By the time he finished playing, some of us in the audience had been changed for good, and left the church determined to be more open and honest in our approach to music, and certainly determined to hear more of Bailey.