With many people wondering how they can help support those affected by the recent fires, the Chameleon is hosting a benefit concert with all proceeds going directly to the H.O.M.E. Starts Here fund.
Spokane’s own Liam St. John will return for a hometown show after releasing a unique global live album and latest single “Send for me,” with more music on the way.
After a steady flow of singles and EPs going back to 2024, the evolving sound of local band the Bed Heads will culminate in their debut album and release show at their “second home,” the Chameleon.
DETROIT — More than 100 pairs of sneakers from the personal collection of Eminem, signed by the rapper himself, are going on the auction block to raise money for the rapper's Marshall Mathers Foundation. The sneakers are being offered through Julien's Auctions, the Los Angeles-based auction house which specializes in pop culture-based artifacts and memorabilia. Listings went up Tuesday through ...
Carly Simon on Monday shared a lengthy and candid letter regarding the state of her health, which she said led to her recent withdrawal from the public eye.
Artfully big hair. Awkwardly giddy girls. And two extremely photogenic pop stars strolling the Great Wall of China for the cameras. Forty years on, the visual charms of Wham! and their history-making 1985 visit to China have held up well. The footage – long beloved to fans as the backdrop to George Michael and Andrew Ridgeley’s music video “Freedom” – is back in a surprisingly unvarnished new documentary.
Fresh off the release of her new album – featuring a dream collaboration with Chris Stapleton – Melissa Etheridge has combined forces with Wynonna Judd for the Raised on Radio Tour.
What was once a side-project born by the intention of spending more time together has led the Bros. Landreth to four albums, collaborations with Bonnie Raitt and their own music festival in Liberty Lake.
The Listening Room at Hamilton Studios was the site of Tuesday night’s presentation by Classics NW. In keeping with the spirit of enterprise and innovation that has increasingly characterized his programming, Music Director Zuill Bailey brought together styles and traditions that in times not long past would not have appeared in the same room, much less on the same program. The concert fell into two segments: in the first, Bailey, in his role as one of the world’s leading cellists, partnered with pianist Greg Presley in performing series of works of dazzling variety by Robert Schumann, Ludwig van Beethoven, Frederic Chopin, Lucas Foss, Claude Debussy, Piotr Tchaikovsky and Nicolo Paganini. In the second segment, the stage was stormed by Time For Three, a high-voltage string trio made up of violinists Nick Kendall and Charles Yang and bassist Ranaan Meyer. Much of what they played and sang was improvised on the spot, some was based on compositions by members of the group or by contemporary composers, but none of it appeared on its surface to have anything whatever to do with the retinue that produced the music of the first segment.
